The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1198]
N. P. Willis
Mr. WILLIS, when writing carefully, would write a hand nearly resembling that of Mr. Halleck ; although no similarity is perceptible in the signatures. His usual chirography is dashing, free, and not ungraceful, but is sadly deficient in force and picturesqueness.
It has been the fate of this gentleman to be alternately condemned ad infinitum, and lauded ad nauseam — a fact which speaks much in his praise. We know of no American writer who has evinced greater versatility of talent ; that is to say, of high talent, often amounting to genius ; and we know of none who has more narrowly missed placing himself at the head of our letters.
The paper of Mr. Willis's epistles is always fine and glossy. At present, he employs a somewhat large seal, with a dove, or carrier-pigeon, at the top, the word "Glenmary" at bottom, and the initials "N. P. W." in the middle.
Rufus Dawes
Mr. DAWES has been long known as a poet ; but his claims are scarcely yet settled — his friends giving him rank with Bryant and Halleck, while his opponents treat his pretensions with contempt. The truth is, that the author of "Geraldine" and "Athenia of Damascus" has written occasional verses very well — so well, that some of his minor pieces may be considered equal to any of the minor pieces of either of the two gentlemen above-mentioned. His longer poems, however, will not bear examination. "Athenia of Damascus" is pompous nonsense, and "Geraldine" a most ridiculous imitation of Don Juan, in which the beauties of the original have been as sedulously avoided, as the blemishes have been blunderingly culled. In style, he is, perhaps, the most inflated involved, and falsely-figurative, of any of our more noted poets. This defect, of course, is only fully appreciable in what are termed his "sustained efforts," and thus his shorter pieces are often exceedingly good. His apparent erudition is mere verbiage, and, were it real, would be lamentably out of place where we see it. He seems to have been infected with a blind admiration of Coleridge — especially of his mysticism and cant.
H. W. Longfellow
H. W. LONGFELLOW, (Professor of Moral Philosophy at Harvard,) is entitled to the first place among the poets of America — certainly to the first place among those who have put themselves prominently forth as poets. His good qualities are all of the highest order, while his sins are chiefly those of affectation and imitation — an imitation sometimes verging upon downright theft.
His MS. is remarkably good, and is fairly exemplified in the signature. We see here plain indications of the force, vigor, and glowing richness of his literary style ; the deliberate and steady finish of his compositions. The man who writes thus may not accomplish much, but what he does, will always be thoroughly done. The main beauty, or at least one great beauty of his poetry, is that of proportion ; another, is a freedom from extraneous embellishment. He oftener runs into affectation through his endeavors at simplicity than through any other cause. Now this rigid simplicity, and proportion are easily perceptible in the MS., which, altogether, is a very excellent one.
J. Pierpont
The Rev. J. PIERPONT, who, of late, has attracted so much of the public attention, is one of the most accomplished poets in America. His "Airs of Palestine" is distinguished by the sweetness and vigor of its versification, and by the grace of its sentiments. Some of his shorter pieces are exceedingly terse and forcible, and none of our readers can have forgotten his Lines on Napoleon. His rhythm is at least equal in strength and modulation to that of any poet in America. Here he resembles Milman and Croly.
His chirography, nevertheless, indicates nothing beyond the common-place. It is an ordinary clerk's