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The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1208]

By Root 16876 0
published in the City of Monuments some years since. He wrote for that Magazine, and has occasionally written for others, articles which possessed the merit of precision of style, and a metaphysical cast of thought. We like his prose much better than his poetry. His chirography is bad — stiff, sprawling and illegible, with frequent corrections and interlineations, evincing inactivity not less than fastidiousness. The signature betrays a meretricious love of effect.

J. McJilton

Mr. McJILTON is better known from his contributions to the journals of the day than from any book publications. He has much talent, and it is not improbable that he will hereafter distinguish himself, although as yet he has not composed anything of length which, as a whole, can be styled good. His MS. is not unlike that of Dr. Snodgrass, but it is somewhat clearer and better. We can predicate little respecting it beyond a love of exaggeration and bizarrerie.

W. D. Gallagher

Mr. GALLAGHER is chiefly known as a poet. He is the -author of some of our most popular songs, and has written many long pieces of high but unequal merit. He has the true spirit, and will rise into a just distinction hereafter. His manuscript tallies well with our opinion. It is a very fine one, — clear, bold, decided and picturesque. The signature above does not convey, in full force, the general character of his chirography, which is more rotund, and more decidedly placed upon the paper.

Rich. H. Dana

Mr. DANA ranks among our most eminent poets, and he has been the frequent subject of comment in our Reviews. He has high qualities, undoubtedly, but his defects are many and great.

His MS. resembles that of Mr. Gallagher very nearly, but is somewhat more rolling, and has less boldness and decision. The literary traits of the two gentlemen are very similar, although Mr. Dana is by far the more polished writer, and has a scholarship which Mr. Gallagher wants.

McMichael

Mr. MCMICHAEL is well known to the Philadelphia public by the number and force of his prose compositions, but he has seldom been tempted into book publication. As a poet, he has produced some remarkably vigorous things. We have seldom seen a finer composition than a certain celebrated " Monody."

His MS., when not hurried, is graceful and flowing, without picturesqueness. At times it is totally illegible. His chirography is one of those which have been so strongly modified by circumstances that it iB nearly impossible to predicate any thing with certainty respecting them.

N. C. Brooks

Mr. N. C. BROOKS has acquired some reputation as a Magazine writer. His serious prose is often very good — is always well-worded — but in his comic attempts he fails, without appearing to be aware of his failure. As a poet he has succeeded far better. In a work which he entitled " Scriptural Anthology " among many inferior compositions of length, there were several shorter pieces of great merit; — for example "Shelley's Obsequies" and "The Nicthanthes.''

Of late days we have seen little from his pen.

His MS. has much resemblance to that of Mr. Bryant, although altogether it is a better hand, with much more freedom and grace. With care Mr. Brooks can write a fine MS. just as with care he can compose a fine poem.

Thos. H. Stockton

The Rev. THOMAS H. STOCKTON has written many pieces of fine poetry, and has lately distinguished himself as the editor of the " Christian World."

His MS. is fairly represented by his signature, and bears much resemblance to that of Mr. N. C. Brooks of Baltimore. Between these two gentlemen there exists also, a remarkable similarity, not only of thought, but of personal bearing and character. We have already spoken of the peculiarities of Mr. B.'s chirography.

C. W. Thomson

Mr. THOMSON has written many short poems, and some of them possess merit. They are characterised by tenderness and grace. His MS. has some resemblance to that of Professor Longfellow, and by many persons would be thought a finer hand. It is clear, legible, and open — what is called a rolling hand.

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