The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1265]
Thomas H. Chivers to Edgar Allan Poe — June 15, 1844
Oaky Grove, Ga. June 15th, 1844.
My Dear Sir, — I wrote you two letters about one year ago, to which I have received no answer up to this time. I directed my Boy, who carried them to the Post office, to have the postage paid on them, but, as the Post Master was not at home, at the time, it was not done. As the postage was not paid, I presume you did not trouble yourself to take them out of the Office, and that is the reason why you did not answer them. They, no doubt, contained a great deal of nonsense, and it is well, perhaps, that you did not pay any attention to them. They contained not only the information of the death of my little Angel-child, but the kindest expression of my regard for you. I requested you to tell me whether you intended to relinquish the idea of publishing the “Penn Magazine” or not. If you intend to execute your former design, it would be well for you not only to let me know it, but to publish a Prospectus, and send it on to me, that I may obtain as many subscribers in this State as possible. I expect to receive my part of my father’s estate in July next, and should like to unite with you, provided it would be to my interest to do so. I should like for you to make a perfect exposition of the manner in which you wish me to join you. Would not the publication of such a Magazine as Graham’s, be more profitable to us ? I should like very much to know your opinion about the matter. I shall return to New York as soon as I receive my part of the estate.
When I wrote to you last, I believe it was strawberry-time. I said something about strawberries and cream. I have just been eating strawberries and honey. You will not think me an epicure when I say to you, that, in this Country, at this time of the year, such a delicious compound is the Nepenthe of my life. I am induced to believe that such a delicious, life-imparting compound was the original of the Grecian idea of the Nectar and Ambrosia of the immortal gods,
I see you still write for Graham’s Magazine. He ought to give you ten thousand dollars a year for supervising it. It is richly worth it. I believe it was through your editorial ability that it was first established. If so, he is greatly indebted to you. It is not my opinion that you ever have been, or ever will be, paid for your intellectual labours. You need never expect it, until you establish a Magazine of your own. This I would do, if I were you, as soon as possible. Then you can do as you please. You have friends in the South and West, who will support you in the undertaking. As for myself, you know I will do all I can to aid you in any enterprise of the kind. I would have joined you long ago, but for the case now in Court against the Administrator, which has kept me out of my part of the estate up to this hour.
Your criticism of “ Orion” pleased me very much. I have not yet seen the work. I should like very much to see it. Some of your remarks have long ago staggered the minds of many, although they are true in the main. Your conception of the uses or excellence of Poetry is the loftiest I have seen. There is, in the perspicuous flow of your pure English, a subtle delicacy of expression which always pleases me — except when you tomahawk people.I cannot say that I like very much your dislike to Transcendentalism. All truePoetry is certainly transcendental — although it is the beautiful expression of that which is most true. I see that H Orion “ is a reflection of that divine light. You might have said of him, in the finale of your criticism, what Shelley, the goldenmouthed Swan of Albion, says of the writings of a certain person
“Let his page
Which charms the chosen spirits of the age,
Fold itself up for a serener clime
Of years to come, and find its recompense
In that just expectation.”
In general, your criticisms are very just. I can read a Poem with greater delight after your criticism than before. I consider your definition of Poetry far superior to