The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1596]
Poe had a great and wonderful mind. In the latter part of his life he gave much of his time to a book called "Eureka," which was intended to explain the meaning of the universe. Of course he was not a philosopher; but he wrote some things in that book which were destined afterward to be accepted by such great men as Darwin and Huxley and many others.
His life was so full of work and poverty, so crossed and crossed again by unhappiness and hardship, that he never had time or strength of mind to think out anything as he would otherwise have done. All his work is fragmentary, broken bits on this subject or on that. He wrote very few poems, not many stories, and only a little serious criticism.
But a Frenchman will tell you that Poe, among American poets and writers, is the greatest; his writings have been translated into nearly every European language. In England, too, he is spoken of as our one great poet and critic, our first great story-writer, the inventor of the artistic short story.
Poor, unhappy Poe! After his death a monument was to have been erected over his grave; but by a strange fatality it was destroyed before it was finished. Twenty-five years later admiring friends placed over his remains the first monument to an American poet. No such memorial was needed, however, for American hearts will never cease to thrill at the weird, beautiful music of "Annabel Lee," "The Bells," and "The Raven."
THE DREAMER by Mary Newton Stanard
A Romantic Rendering Of The Life-Story Of Edgar Allan Poe
"They who dream by day are cognizant of many things which escape those who dream only by night. In their gray visions they obtain glimpses of eternity, and thrill, in waking, to find they have been upon the verge of the great secret."
—Edgar Allan Poe, in "Eleanora"
In the Sacred Memory
of
My Father and Mother
CONTENTS
TO THE READER
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.
CHAPTER XXI.
CHAPTER XXII.
CHAPTER XXIII.
CHAPTER XXIV.
CHAPTER XXV.
CHAPTER XXVI.
CHAPTER XXVII.
CHAPTER XXVIII.
CHAPTER XXIX.
CHAPTER XXX.
CHAPTER XXXI.
CHAPTER XXXII.
CHAPTER XXXIII.
TO THE READER
This study of Edgar Allan Poe, poet and man, is simply an attempt to make something like a finished picture of the shadowy sketch the biographers, hampered by the limitations of proved fact, must, at best, give us.
To this end I have used the story-teller's license to present the facts in picturesque form. Yet I believe I have told a true story—true to the spirit if not to the letter—for I think I have made Poe and the other persons of the drama do nothing they may not have done, say nothing they may not have said, feel nothing they may not have felt. In many instances the opinions, and even the words I have placed in Poe's mouth are his own—found in his published works or his letters.
I owe much, of course, to the writers of Poe books before and up to my time. Among these, I would make especial and grateful acknowledgment to Mr. J.H. Ingram, Professor George E. Woodberry, Professor James A. Harrison and Mrs. Susan Archer Weiss.
But more than to any one of his biographers, I am indebted to Poe himself for the revelations of his personality which appear in his own stories and poems, the most part of which are clearly autobiographic.
M.N.S.
THE DREAMER
CHAPTER I.
The last roses of the year 1811 were in bloom in the Richmond