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The Complete Works of Edgar Allan Poe - Edgar Allan Poe [1683]

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he could succeed in procuring. Its criticisms should be "sternly just, guided only by the purest rules of Art, analyzing and urging these rules as it applied them; holding itself aloof from all personal bias, acknowledging no fear save that of outraging the right." It would "endeavor to support the general interests of the republic of letters—regarding the world at large as the true audience of the author," he determined, and he declared in his prospectus.

Dear to his heart as was this dream of dreams of his intellectual life, he was soon to realize that its fulfilment was not to be. At least—not yet, for he comforted his own heart and Virginia's and "Muddie's" with the assurance that it was but a case of hope deferred again.

As he was bracing himself for this fresh disappointment, Mr. Graham, the purchaser of The Gentlemen's Magazine which he proposed to combine with The Casket in the creation of Graham's Magazine, sat in his office with a paper before him which the initiated would have at once recognized as an Edgar Poe manuscript. It was a long, narrow strip, formed by pasting pages together endwise, and had been submitted in a tight roll which Mr. Graham unrolled as he read. The title at the top of the strip, in The Dreamer's neat, legible handwriting was, "The Man of the Crowd."

There was nothing gruesome about Mr. Graham. His candid brow, his kindling blue eye, his fresh-colored cheeks, the genial curve of his lip and his strong but amiable chin, spoke of a sunshiny nature, with neither taste nor turn for the weird. But, as he read, the strange "conscience-story" moved him—held him in a grip of intense interest—wove a spell around him. He was on the lookout for original material—undoubtedly he had it in this manuscript. He recalled "Billy" Burton's last words to him: "Take care of my young editor."

A smile lighted his pleasant face. He had his own mental endowments—generous ones—and without the least conceit he knew it; but he had no ambition to patronize genius.

"The writer of this story is quite able to take care of himself," he informed his inner consciousness, "And if I can only form a connection with him it will doubtless be a case of the young editor's taking care of me."

Upon the next afternoon Mr. Graham set out on a pilgrimage to Spring Garden. Though it was November the air was mild and the sunshine was mellow. Was the sky always so blue in Spring Garden, he wondered? He found the rose-embowered cottage without difficulty, for he had obtained minute directions. The roses were all gone but the foliage was still green and the little white-paled garden was bright with the sunset-hued flowers of autumn. Flowers and cottage stood bathed in the light of the golden afternoon—the picture of serenity. What marked this quaint, small homestead?—set back from the quiet village street—tucked away behind its garden-spot from the din of the world? What made it different from others of its neighborhood and character? Was it just a notion of his (Mr. Graham wondered) that made him feel that here was poetry pure and simple?—visible poetry?

With sensations of keen interest he lifted the knocker. Edgar Poe himself opened the door and his captivating smile, cordial hand-clasp and words of warm, as well as courtly, greeting raised the visitor instantly from the ranks of the caller to the place of a friend. Mr. Graham had met Edgar Poe before and had felt his charm, but he now told himself that to know him one must see him under his own roof, and in the character of host.

As the door was opened a flood of music floated out. A divinely sweet mezzo-soprano voice was singing to the accompaniment of a harp. As the master of the house flung wide the sitting-room door and announced the visitor, the sounds ceased, but the musician sat with her hands resting upon the gilded strings for a moment, her eyes turned in inquiry toward the door, then rose and with the simplicity of a child came forward to place her hand in that of Mr. Graham. Mother Clemm who sat near the window with a piece of sewing in her lap also arose, and with gentle

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