The Complete Works of Edgar Allan Poe - Edgar Allan Poe [754]
So firm, through a long endurance, has been the hold taken upon the popular mind — at least so far as we may consider the popular mind reflected in ephemeral letters — by the laudatory system which we have deprecated, that what is, in its own essence, a vice, has become endowed with the appearance, and met with the reception of a virtue. Antiquity, as usual, has lent a certain degree of speciousness, even to the absurd. So continuously have we puffed, that we have, at length, come to think puffing the duty, and plain-speaking the dereliction. What we began in gross error, we persist in through habit. Having adopted, in the earliest days of our literature, the untenable idea that this literature, as a whole, could be advanced by indiscriminate approbation bestowed on its every effort — having adopted this idea, without attention to the obvious fact, that praise of all is bitter, although negative censure to the few alone deserving, and that the only possible result of the system, in the fostering way, would be the fostering of folly — we now continue our vile practices. through the supiness of custom, even while, in our national self-conceit, we repudiate that necessity for patronage and protection, in which originated our conduct. In a word, the press throughout the country has not been ashamed to make head against the very few bold attempts at independence which have been made, from time to time, in the face of the reigning order of things. And if, in one or two insulated cases, the spirit of a severe Truth, sustained by an unconquerable Will, was not to be so put down — then, forthwith, were private chicaneries set in motion: — then was had recourse, on the part of those who considered themselves injured by the severity of criticism — and who were so, if the just contempt of every ingenious man is injury — recourse to arts, and to acts of the most virulent indignity — to untraceable slanders — to ruthless assassination in the dark. We say these things were done, while the press in general looked on, and, with a full understanding of the wrong perpetrated, spoke not against the wrong. The idea had absolutely gone abroad — had grown up, little by little, into toleration — that attacks, however just, upon a literary reputation however attained, however untenable, were well retaliated by the basest and most unfounded traduction of personal fame. But is this an age — is this a day — in which it can be necessary even to advert to such considerations as that the book of the author is the property of the public, and that the issue of the book is the throwing down of the gauntlet to the reviewer — to the reviewer whose duty is the plainest — the duty, not of approbation, nor of censure, nor even of silence at his own will, but at the sway of those sentiments — whether of admiration, whether of scorn or of contempt — which are derived from the author himself, through the medium of his written and published words ? True criticism is the reflection of the thing criticised upon the spirit of the critic.
Turning, in our search for just information, upon our poetical literature, from the Newspapers, from the Monthly Magazines, and from the Quarterly Reviews — turning from these in despair, we encounter certain books, professing to select, or compile, from the works of our native bards; and no better evidence can be adduced, of the general interest felt in my present subject, then