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The Complete Works of Edgar Allan Poe - Edgar Allan Poe [922]

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the hair is represented as curled, (Miss Sedgwick at present wears a cap — at least most usually,) gives her the air of being much older than she is.

Her manners are those of a high-bred woman, but her ordinary manner vacillates, in a singular way, between cordiality and a reserve amounting to hauteur.

LEWIS GAYLORD CLARK.

MR. CLARK is known principally as the twin brother of the late Willis Gaylord Clark, the poet, of Philadelphia, with whom he has often been confounded from similarity both of person and of name. He is known, also, within a more limited circle, as one of the editors of “The Knickerbocker Magazine,” and it is in this latter capacity that I must be considered as placing him among literary people. He writes little himself, the editorial scraps which usually appear in fine type at the end of “The Knickerbocker” being the joint composition of a great variety of gentlemen (most of them possessing shrewdness and talent,) connected with diverse journals about the city of New York. It is only in some such manner, as might be supposed, that so amusing and so heterogeneous a medley of chit-chat could be put together. Were a little more pains taken in elevating the tone of this “Editors’ Table,” (which its best friends are forced to admit is at present a little Boweryish,) I should have no hesitation in commending it in general as a very creditable and very entertaining specimen of what may be termed easy writing and hard reading.

It is not, of course, to be understood from anything I have here said, that Mr. Clark does not occasionally contribute editorial matter to the magazine. His compositions, however, are far from numerous, and are always to be distinguished by their style, ­which is more “easily to be imagined than described.” It has its merit, beyond doubt, but I shall not undertake to say that either “vigor,” “force” or “impressiveness” is the precise term by which that merit should be designated. Mr. Clark once did me the honor to review my poems, and — I forgive him.

“The Knickerbocker” has been long established, and seems to have in it some important elements of success. Its title, for a merely local one, is unquestionably good. Its contributors have usually been men of eminence. Washington Irving was at one period regularly engaged. Paulding, Bryant, Neal, and several others of nearly equal note have also at various times furnished articles, although none of these gentlemen, I believe, continue their communications. In general, the contributed matter has been praiseworthy; the printing, paper, and so forth, have been excellent, and there certainly has been no lack of exertion in the way of what is termed “putting the work before the eye of the public;” still some incomprehensible incubus has seemed always to sit heavily upon it, and it has never succeeded in attaining position among intelligent or educated readers. On account of the manner in which it is necessarily edited, the work is deficient in that absolutely indispensable element, individuality. As the editor has no precise character, the magazine, as a matter of course, can have none. When I say “no precise character,” I mean that Mr. C., as a literary man, has about him no determinateness, no distinctiveness, no saliency of point; — an apple, in fact, or a pumpkin, has more angles. He is as smooth as oil or a sermon from Doctor Hawks; he is noticeable for nothing in the world except for the markedness by which he is noticeable for nothing.

What is the precise circulation of “The Knickerbocker” at present I am unable to say; it has been variously stated at from eight to eighteen hundred subscribers. The former estimate is no doubt too low, and the latter, I presume, is far too high. There are, perhaps, some fifteen hundred copies printed.

At the period of his brother’s decease, Mr. Lewis G. Clark bore to him a striking resemblance, but within the last year or two there has been much alteration in the person of the editor of the “Knickerbocker.” He is now, perhaps, forty-two or three, but ­still good-looking. His forehead is, phrenologically,

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