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HORTENSIO will be quit with thee by changing. Exit

SCENE II. Padua. Before BAPTISTA'So house

Enter BAPTISTA, GREMIO, TRANIO as LUCENTIO, KATHERINA, BIANCA,

LUCENTIO as CAMBIO, and ATTENDANTS

BAPTISTA.

[To TRANIO] Signior Lucentio, this is the 'pointed day

That Katherine and Petruchio should be married,

And yet we hear not of our son-in-law.

What will be said? What mockery will it be

To want the bridegroom when the priest attends

To speak the ceremonial rites of marriage!

What says Lucentio to this shame of ours?

KATHERINA.

No shame but mine; I must, forsooth, be forc'd

To give my hand, oppos'd against my heart,

Unto a mad-brain rudesby, full of spleen,

Who woo'd in haste and means to wed at leisure.

I told you, I, he was a frantic fool,

Hiding his bitter jests in blunt behaviour;

And, to be noted for a merry man,

He'll woo a thousand, 'point the day of marriage,

Make friends invited, and proclaim the banns;

Yet never means to wed where he hath woo'd.

Now must the world point at poor Katherine,

And say 'Lo, there is mad Petruchio's wife,

If it would please him come and marry her!'

TRANIO.

Patience, good Katherine, and Baptista too.

Upon my life, Petruchio means but well,

Whatever fortune stays him from his word.

Though he be blunt, I know him passing wise;

Though he be merry, yet withal he's honest.

KATHERINA.

Would Katherine had never seen him though!

Exit, weeping, followed by BIANCA and others

BAPTISTA.

Go, girl, I cannot blame thee now to weep,

For such an injury would vex a very saint;

Much more a shrew of thy impatient humour.

Enter BIONDELLO

Master, master! News, and such old news as you never heard of!

BAPTISTA.

Is it new and old too? How may that be?

BIONDELLO.

Why, is it not news to hear of Petruchio's coming?

BAPTISTA.

Is he come?

BIONDELLO.

Why, no, sir.

BAPTISTA.

What then?

BIONDELLO.

He is coming.

BAPTISTA.

When will he be here?

BIONDELLO.

When he stands where I am and sees you there.

TRANIO.

But, say, what to thine old news?

BIONDELLO.

Why, Petruchio is coming- in a new hat and an old

jerkin; a pair of old breeches thrice turn'd; a pair of boots

that have been candle-cases, one buckled, another lac'd; an old

rusty sword ta'en out of the town armoury, with a broken hilt,

and chapeless; with two broken points; his horse hipp'd, with an

old motley saddle and stirrups of no kindred; besides,

possess'd

with the glanders and like to mose in the chine, troubled with

the lampass, infected with the fashions, full of windgalls, sped

with spavins, rayed with the yellows, past cure of the fives,

stark spoil'd with the staggers, begnawn with the bots,

sway'd in

the back and shoulder-shotten, near-legg'd before, and with a

half-cheek'd bit, and a head-stall of sheep's leather which,

being restrained to keep him from stumbling, hath been often

burst, and now repaired with knots; one girth six times piec'd,

and a woman's crupper of velure, which hath two letters for her

name fairly set down in studs, and here and there piec'd with

pack-thread.

BAPTISTA.

Who comes with him?

BIONDELLO.

O, sir, his lackey, for all the world caparison'd like

the horse- with a linen stock on one leg and a kersey

boot-hose

on the other, gart'red with a red and blue list; an old hat, and

the humour of forty fancies prick'd in't for a feather; a

monster, a very monster in apparel, and not like a Christian

footboy or a gentleman's lackey.

TRANIO.

'Tis some odd humour pricks him to this fashion;

Yet oftentimes lie goes but mean-apparell'd.

BAPTISTA.

I am glad he's come, howsoe'er he comes.

BIONDELLO.

Why, sir, he comes not.

BAPTISTA.

Didst thou not say he comes?

BIONDELLO.

Who? that Petruchio came?

BAPTISTA.

Ay, that Petruchio came.

BIONDELLO.

No, sir; I say his horse comes with him on his back.

BAPTISTA.

Why, that's all one.

BIONDELLO.

Nay, by Saint Jamy,

I hold you a penny,

A horse and a man

Is more than one,

And yet not many.

Enter PETRUCHIO and GRUMIO

PETRUCHIO.