• Choose a category
• All
• Classic-Fiction

By Root 21487 0

in a passion of devout astonishment. "And now," said Thaisa, "I know you better. Such a ring as I see on your finger did the king my father give you, when we with tears parted from him at Pentapolis." "Enough, you gods!" cried Pericles, "your present kindness makes my past miseries sport. O come, Thaisa, be buried a second time within these arms."

And Marina said, "My heart leaps to be gone into my mother's bosom." Then did Pericles show his daughter to her mother, saying, "Look who kneels here, flesh of thy flesh, thy burthen at sea, and called Marina, because she was yielded there." "Blessed and my own!" said Thaisa: and while she hung in rapturous joy over her child, Pericles knelt before the altar, saying, "Pure Diana, bless thee for thy vision. For this, I will offer oblations nightly to thee." And then and there did Pericles, with the consent of Thaisa, solemnly affiance their daughter, the virtuous Marina, to the well-deserving Lysimachus in marriage.

Thus have we seen in Pericles, his queen, and daughter, a famous example of virtue assailed by calamity (through the sufferance of Heaven, to teach patience and constancy to men), under the same guidance becoming finally successful, and triumphing over chance and change. In Helicanus we have beheld a notable pattern of truth, of faith, and loyalty, who, when he might have succeeded to a throne, chose rather to recall the rightful owner to his possession, than to become great by another's wrong. In the worthy Cerimon, who restored Thaisa to life, we are instructed how goodness directed by knowledge, in bestowing benefits upon mankind, approaches to the nature of the gods. It only remains to be told, that Dionysia, the wicked wife of Cleon, met with an end proportionable to her deserts; the inhabitants of Tarsus, when her cruel attempt upon Marina was known, rising in a body to revenge the daughter of their benefactor, and setting fire to the palace of Cleon, burnt both him and her, and their whole household: the gods seeming well pleased, that so foul a murder, though but intentional, and never carried into act, should be punished in a way befitting its enormity.

The Poetry

Anne Hathaway’s cottage, Stratford – the likely scene of Shakespeare’s courtship

THE SONNETS

Shakespeare’s 154 sonnets deal with themes of time, love, beauty and mortality. All but two of the poems were first published in a 1609 quarto and sonnets 138 and 144 were previously published in the 1599 miscellany The Passionate Pilgrim. The quarto ends with A Lover's Complaint, a narrative poem of 47 seven-line stanzas written in rhyme royal.

The first 126 sonnets are written to a young man—the poet’s patron— urging him to marry and have children, in order to immortalise his beauty by passing it to the next generation. These sonnets also mention a rival poet and the poet’s own mistress. From sonnet 127 onwards, Shakespeare addresses a Dark Lady, who he confesses his love for and often speaks of in a disparaging tone. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little love-god" Cupid and many scholar’s have questioned their authenticity.

The first printing of the sonnets

CONTENTS

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

XL

XLI

XLII

XLIII

XLIV

XLV

XLVI

XLVII

XLVIII

XLIX

L

LI

LII

LIII

LIV

LV

LVI

LVII

LVIII

LIX

LX

LXI

LXII

LXIII

LXIV

LXV

LXVI

LXVII

LXVIII

LXIX

LXX

LXXI

LXXII

LXXIII

LXXIV

LXXV

LXXVI

LXXVII

LXXVIII

LXXIX

LXXX

LXXXI

LXXXII

LXXXIII

LXXXIV

LXXXV

LXXXVI

LXXXVII

LXXXVIII

LXXXIX

XC

XCI

XCII

XCIII

XCIV

XCV

XCVI

XCVII

XCVIII

XCIX

C

CI

CII

CIII

CIV

CV

CVI

CVII

CVIII

CIX

CX

CXI

CXII

CXIII

CXIV

CXV

CXVI

CXVII

CXVIII

CXIX

CXX

CXXI

CXXII

CXXIII

CXXIV

CXXV

CXXVI

CXXVII

CXXVIII

CXXIX

CXXX

CXXXI

CXXXII

CXXXIII

CXXXIV

CXXXV

CXXXVI

CXXXVII

CXXXVIII

CXXXIX

CXL

CXLI