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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2390]

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and my reading will be free from all difficulty.

If such an one will smile, and stroke his beard,

Cry, sorrow, wag! and hem when he should groan.

V.i.32 (314,8) [My griefs cry louder than advertisement] That is, than admonition, than moral instruction.

V.i.102 (318,4) [we will not wake your patience] [W: wrack] This emendation is very specious, and perhaps is right; yet the present reading may admit a congruous meaning with less difficulty than many other of Shakespeare's expressions.

The old men have been both very angry and outrageous; the prince tells them that he and Claudio will not wake their patience; will not any longer force them to endure the presence of those whom, though they look on them as enemies, they cannot resist.

V.i.138 (319,6) [to turn his girdle] We have a proverbial speech, If he be angry, let him turn the buckle of his girdle. But I do not know its original or meaning.

V.i.166 (320,7) [a wise gentleman] This jest depending on the colloquial use of words is now obscure; perhaps we should read, a wise gentle man, or a man wise enough to be a coward. Perhaps wise gentleman was in that age used ironically, and always stood for silly fellow.

V.i.231 (322,9) [one meaning well suited] That is, one meaning is put into many different dresses; the prince having asked the same question in four modes of speech.

V.ii.9 (326,3) [To have no man come over me? why, shall I always keep below stairs?] [T: above] I suppose every reader will find the meaning of the old copies.

V.ii.l7 (327,4) [I give thee the bucklers] I suppose that to give the bucklers is, to yield, or to lay by all thoughts of defence, so clipeum abjicere. The rest deserves no comment.

V.iii.13 (330,7) [Those that slew thy virgin knight] Knight, in its original signification, means follower or pupil, and in this sense may be feminine. Helena, in All's well that Ends well, uses knight in the same signification.

LOVE'S LABOUR'S LOST

I.i.31 (342,2)

[To love, to wealth, to pomp, I pine and die;

With all these, living in philosophy]

The stile of the rhyming scenes in this play is often entangled and obscure. I know not certainly to what all these is to be referred; I suppose he means, that he finds love, pomp, and wealth in philosophy.

I.i.75 (344,4) [while truth the while Doth falsly blind] Falsly is here, and in many other places, the same as dishonestly or treacherously. The whole sense of this gingling declamation is only this, that a man by too close study may read himself blind, which might have been told with less obscurity in fewer words.

I.i.82 (344,5)

[Who dazzling so, that eye shall be his heed,

And give him light, that it was blinded by]

This is another passage unnecessarily obscure: the meaning is, that when he dazzles, that is, has his eye made weak, by fixing his eye upon a fairer eye, that fairer eye shall be his heed, his direction or lode-star,(See Midsummer-Night's Dream) [and give him light that was blinded by it.

I.i.92 (345,6)

[Too much to know, is, to know nought but fame;

And every godfather can give a name]

[W: "shame" or "feign"] That there are two ways of setting a passage right gives reason to suspect that there may be a third way better than either. The first of these emendations makes a fine sense, but will not unite with the next line; the other makes a sense less fine, and yet will not rhyme to the correspondent word. I cannot see why the passage may not stand without disturbance. The consequence, says Biron, of too much knowledge, is not any real solution of doubts, but mere empty reputation. That is, too much knowledge gives only fame, a name which every godfather can give likewise. (1773)

I.i.95 (345,7) [Proceeded well to stop all good proceeding] To proceed is an academical term, meaning, to take a degree, as he proceeded bachelor in physick. The sense is, he has taken his degrees on the art of hindering the degrees of others.

I.i.153 (348,1) [Not by might master'd, but by especial grace] Biron, amidst his extravagancies, speaks with great justness against the folly of vows. They are

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