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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2512]

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Whoop, Jug] There are in the fool's speeches several passages which seem to be proverbial allusions, perhaps not now to be understood.

I.iv.256 (352,1) Fool. Which they will make an obedient father] [This line I have restored from the quarto. STEEVENS] This note [Tyrwhitt's, quoted by Steevens] is written with confidence disproportionate to the conviction which it can bring. Lear might as well know by the marks and tokens arising from sovereignty, knowledge, and reason, that he had or had not daughters, as he could know by any thing else. But, says he, if I judge by these tokens, I find the persuasion false by which I long thought myself the father of daughters. (1773)

I.iv.302 (355,7) from her derogate body] [Derogate for unnatural. WARB.] Rather, I think, degraded; blasted.

I.iv.320 (356,9)

That these hot tears, which break from me perforce,

Should make thee worth them.—Blasts and fogs upon thee!

The untented woundings of a father's curse

Pierce every sense about thee!—Old fond eyes,

Beweep this cause again]

I will transcribe this passage from the first edition, that it may appear to those who are unacquainted with old books, what is the difficulty of revision, and what indulgence is due to those that endeavour to restore corrupted passages.—That these hot tears, that breake from me perforce, should make the worst blasts and fogs upon the untender woundings of a father's curse, peruse every sense about the old fond eyes, beweep this cause again, &c.

I.iv.362 (358,3) compact it more] Unite one circumstance with another, so as to make a consistent account.

I.iv.366 (358,4) You are much more at task for want of wisdom] It is a common phrase now with parents and governesses. I'll take you to task, i.e. I will reprehend and correct you. To be at task, therefore, is to be liable to reprehension and correction. (1773)

I.v.5 (358,1) I shall be there afore you] He seems to intend to go to his daughter, but it appears afterwards that he is going to the house of Glo'ster.

I.v.25 (359,2) I did her wrong] He is musing on Cordelia.

I.v.42 (359,3) To take it again perforce!] He is meditating on the resumption of his royalty.

II.i.9 (360,1) ear-kissing arguments] Subjects of discourse; topics.

II.i.19 (361,2) queazy question] Something of a suspicious, questionable, and uncertain nature. This is, I think, the meaning.

II.i.27 (361,4) have you nothing said/Upon his party 'gainst the duke of Albany?] I cannot but think the line corrupted, and would read,

Against his party, for the duke of Albany?

II.i.57 (363,7) gasted] Frighted.

II.i.59 (363,8) Not in this land shall he remain uncaught;/And found—Dispatch] [Not in this land shall he remain uncaught; And found dispatch—the noble duke, &c.]

[W: found, dispatch'd.] I do not see how this change mends the sense: I think it may be better regulated as in the page above. The sense is interrupted. He shall be caught—and found, he shall be punished. Dispatch.

II.i.67 (363,2) And found him pight to do it, with curst speech] Pight is pitched, fixed, settled. Curst is severe, harsh, vehemently angry.

II.i.122 (366,7) Occasions, noble Glo'ster, of some prize] [W: poize] Prize, or price, for value. (1773)

II.i.126 (366,8) from our home] Not at home, but at some other place.

II.ii.9 (367,1) Lipsbury pinfold] The allusion which seems to be contained in this line I do not understand. In the violent eruption of reproaches which bursts from Kent in this dialogue, there are some epithets which the commentators have left unexpounded, and which I am not very able to make clear. Of a three-suited knave I know not the meaning, unless it be that he has different dresses for different occupations. Lilly-liver'd is cowardly; white-blooded and white-liver'd are still in vulgar use. An one-trunk-inheriting slave, I take to be a wearer of old cast-off cloaths, an inheritor of torn breeches.

II.ii.36 (368,4) barber-monger] Of this word I do not clearly see the force.

II.ii.39 (368,5) Vanity the puppet's] Alluding to the mysteries or allegorical shews, in which vanity, iniquity, and other vices,

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