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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2521]

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so slain?]

What is printed in crotchets is not in the folio. It is at least proper, if not necessary; and was omitted by the author, I suppose, for no other reason than to shorten the representation.

V.i.4 (467,2) his constant pleasure] His settled resolution.

V.i.54 (470,7) We will greet the time] We will be ready to meet the occasion.

V.i.61 (470,8) carry out my side] Bring my purpose to a successful issue, to completion. Side seems here to have the sense of the French word partie, in prendre partie, to take his resolution.

V.i.68 (471,9) for my state/Stands on me to defend, not to debate] I do not think that for stands in this place as a word of inference or causality. The meaning is rather: Such is my determination concerning Lear; as for my state it requires now, not deliberation, but defence and support.

V.iii.16 (472,1) And take upon us the mystery of things,/As if we were God's spies] As if we were angels commissioned to survey and report the lives of men, and were consequently endowed with the power of prying into the original motives of action and the mysteries of conduct.

V.iii.18 (472,2) packs and sects] Packs is used for combinations or collection, as is a pack of cards. For sects I think sets might be more commodiously read. So we say, affairs are now managed by a new set. Sect, however, may well stand.

V.iii.24 (473,6) flesh and fell] Flesh and skin.

V.iii.54 (475,1)

[At this time

We sweat and bleed: the friend hath lost his friend;

And the best quarrels, in the heat, are curs'd

By those that feel their sharpness:—

The question of Cordelia, and her father,

Requires a fitter place.]]

This passage, well worthy of restoration, is omitted in the folio.

V.iii.65 (475,4) The which immediacy] [Immediacy, for representation. WARBURTON.] Immediacy is rather supremacy in opposition to subordination, which has quiddam medium between itself and power.

V.iii.79 (476,7) The lett alone lies not in your good will] Whether he shall not or shall depends not on your choice.

V.iii.89 (476,8) An interlude!] This short exclamation of Gonerill is added in the folio edition, I suppose, only to break the speech of Albany, that the exhibition on the stage might be more distinct and intelligible.

V.iii.129 (478,1) Behold, it is the privilege of mine honours,/My oath, and my profession] The privilege of this oath means the privilege gained by taking the oath administered in the regular initiation of a knight professed.

V.iii.151 (479,3)

Alb. Save him, save him!

Gon. This is mere practice, Glo'ster]

He desired that Edmund's life might be spared at present, only to obtain his confession, and to convict him openly by his own letter.

V.iii.166 (480,6) Let us exchange charity] Our author by negligence gives his heathens the sentiments and practices of Christianity. In Hamlet there is the same solemn act of final reconciliation, but with exact propriety, for the personages are Christians.

V.iii. 204-221 (481,2) [Edg;.—This would have seem'd a period] The lines between crotchets are not in the folio.

V.iii.229 (433,4) Here comes Kent, Sir] The manner in which Edgar here mentions Kent, seems to require the lines which are inserted from the first edition in the foregoing scene.

V.iii.264 (485,7)

Edg. Or image of that horror?

Alb. Fall, and cease!]

These two exclamations are given to Edgar and Albany in the folio, to animate the dialogue, and employ all the persons on the stage; but they are very obscure.

V.iii.301 (487,4) With boot] With advantage, with increase.

(488) General Observation. The tragedy of Lear is deservedly celebrated among the dramas of Shakespeare. There is perhaps no play which keeps the attention so strongly fixed; which so much agitates our passions and interests our curiosity. The artful involutions of distinct interests, the striking opposition of contrary characters, the sudden changes of fortune, and the quick succession of events, fill the mind with a perpetual tumult of indignation, pity, and hope. There is no scene which does not contribute to the aggravation of the distress or conduct

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