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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2563]

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Shakespeare had “small Latin and less Greek.” Rowe believes that his acquaintance with Latin authors was such as he might have gained at school: he could remember tags of Horace or Mantuan, but was unable to read Plautus in the original. The plea that comparative ignorance of the classics may not have been a disadvantage, as it perhaps prevented the sacrifice of fancy to correctness, prompted a reply by Gildon in his Essay on the Stage, where the argument is based partly on the belief that Shakespeare had read Ovid and Plautus and had thereby neither spoiled his fancy nor confined his genius. The question was probably at this time a common topic of discussion. Dennis's abler remarks were suggested, as he tells us, by conversation in which he found himself opposed to the prevalent opinion. He is more pronounced in his views than Rowe had been. His main argument is that as Shakespeare is deficient in the “poetical art” he could not but have been ignorant of the classics, for, had he known them, he could not have failed to profit by them. Dennis is stirred even to treat the question as one affecting the national honour. “He who allows,” he says, “that Shakespeare had learning and a familiar acquaintance with the Ancients, ought to be looked upon as a detractor from [pg xxiii] his extraordinary merit and from the glory of Great Britain.”

The prominence of the controversy forced Pope to refer to it in his Preface, but he had apparently little interest in it. Every statement he makes is carefully guarded: there are translations from Ovid, he says, among the poems which pass for Shakespeare's; he will not pretend to say in what language Shakespeare read the Greek authors; Shakespeare appears to have been conversant in Plautus. He is glad of the opportunity to reply to Dennis's criticism of Coriolanus and Julius Caesar, but though he praises the truthful representation of the Roman spirit and manners, he discreetly refuses to say how Shakespeare came to know of them. As he had not thought out the matter for himself, he feared to tread where the lesser men rushed in. But though he records the evidence brought forward by those who believed in Shakespeare's knowledge of the Ancients, he does not fail to convey the impression that he belongs to the other party. And, indeed, in another passage of the Preface he says with definiteness, inconsistent with his other statements, that Shakespeare was “without assistance or advice from the learned, as without the advantage of education or acquaintance among them, without that knowledge of the best models, the Ancients, to inspire him with an emulation of them.”

During the fifty years between Pope's Preface and Johnson's, the controversy continued intermittently without either party gaining ground. In the Preface to the supplementary volume to Pope's edition—which is a reprint of Gildon's supplementary volume to Rowe's—Sewell declared he found evident marks through all Shakespeare's writings of knowledge of the Latin tongue. Theobald, who was bound to go astray when he ventured beyond the collation of texts, was ready to believe that similarity of idea in Shakespeare and the classics was due to direct borrowing. He had, however, the friendly advice of Warburton to make him beware of the secret satisfaction of pointing out a classical original. In its earlier form his very unequal Preface had contained the acute observation that the texture of Shakespeare's phrases indicated better than his vocabulary the extent of his knowledge of Latin. The style was submitted as “the truest criterion to determine this long agitated question,” and the conclusion was implied that Shakespeare could not have been familiar with the classics. But this interesting passage was omitted in the second edition, perhaps because it was inconsistent with a less decided utterance elsewhere in the Preface, but more probably because it had been supplied by Warburton. In his earlier days, before he had met Warburton, he had been emphatic. In the Preface to his version of Richard II. he had tried to do Shakespeare “some justice

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