The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2616]
I have not thought it out of my Province, whenever Occasion offer'd, to take notice of some of our Poet's grand Touches of Nature: Some that do not appear superficially such; but in which he seems the most deeply instructed; and to which, no doubt, he has so much ow'd that happy Preservation of his Characters, for which he is justly celebrated. Great Genius's, like his, naturally unambitious, are satisfy'd to conceal their Art in these Points. 'Tis the Foible of your worser Poets to make a Parade and Ostentation of that little Science they have; and to throw it out in the most ambitious Colours. And whenever a Writer of this Class shall attempt to copy these artful Concealments of our Author, and shall either think them easy, or practised by a Writer for his Ease, he will soon be convinced of his Mistake by the Difficulty of reaching the Imitation of them.
Speret idem, sudet multum, frustraque laboret,
Ausus idem:——
Indeed, to point out, and exclaim upon, all the Beauties of Shakespeare, as they come singly in Review, would be as insipid, as endless; as tedious, as unnecessary: But the Explanation of those Beauties that are less obvious to common Readers, and whose Illustration depends on the Rules of just Criticism, and an exact knowledge of human Life, should deservedly have a Share in a general Critic upon the Author. But, to pass over at once to another Subject:——
It has been allow'd on all hands, how far our Author was indebted to Nature; it is not so well agreed, how much he ow'd to Languages and acquired Learning. The Decisions on this Subject were certainly set on Foot by the Hint from Ben Jonson, that he had small Latin and less Greek: And from this Tradition, as it were, Mr. Rowe has thought fit peremptorily to declare, that, “It is without Controversy, he had no Knowledge of the Writings of the ancient Poets, for that in his Works we find no Traces of any thing which looks like an imitation of the Ancients. For the Delicacy of his Taste (continues He) and the natural Bent of his own great Genius (equal, if not superior, to some of the Best of theirs), would certainly have led him to read and study them with so much Pleasure, that some of their fine Images would naturally have insinuated themselves into, and been mix'd with his own Writings: and so his not copying at least something from them, may be an Argument of his never having read them.” I shall leave it to the Determination of my Learned Readers, from the numerous Passages, which I have occasionally quoted in my Notes, in which our Poet seems closely to have imitated the Classics, whether Mr. Rowe's Assertion be so absolutely to be depended on. The Result of the Controversy must certainly, either way, terminate to our Author's Honour: how happily