The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2628]
How the Oxford Editor came to think himself qualified for this Office, from which his whole Course of Life had been so remote, is still more difficult to conceive. For whatever Parts he might have either of Genius or Erudition, he was absolutely ignorant of the Art of Criticism, as well as the Poetry of that Time, and the Language of his Author: And so far from a Thought of examining the first Editions, that he even neglected to compare Mr. Pope's, from which he printed his own, with Mr. Theobald's; whereby he lost the Advantage of many fine Lines which the other had recovered from the old Quartos. Where he trusts to his own Sagacity, in what affects the Sense, his Conjectures are generally absurd and extravagant, and violating every Rule of Criticism. Tho', in this Rage of Correcting, he was not absolutely destitute of all Art. For, having a Number of my Conjectures before him, he took as many of them as he saw fit, to work upon; and by changing them to something, he thought, synonymous or similar, he made them his own; and so became a Critic at a cheap Expence. But how well he hath succeeded in this, as likewise in his Conjectures which are properly his own, will be seen in the course of my Remarks: Tho', as he hath declined to give the Reasons for his Interpolations, he hath not afforded me so fair a hold of him as Mr. Theobald hath done, who was less cautious. But his principal Object was to reform his Author's Numbers; and this, which he hath done, on every Occasion, by the Insertion or Omission of a set of harmless unconcerning Expletives, makes up the gross Body of his innocent Corrections. And so, in spite of that extreme Negligence in Numbers which distinguishes the first Dramatic Writers, he hath tricked up the old Bard, from Head to Foot, in all the finical Exactness of a modern Measurer of Syllables.
For the rest, all the Corrections which these two Editors have made on any reasonable Foundation, are here admitted into the Text, and carefully assigned to their respective Authors: A piece of Justice which the Oxford Editor never did; and which the Other was not always scrupulous in observing towards me. To conclude with them in a word, They separately possessed those two Qualities which, more than any other, have contributed to bring the Art of Criticism into disrepute, Dulness of Apprehension, and Extravagance of Conjecture.
I am now to give some Account of the present Undertaking. For as to all those Things which have been published under the titles of Essays, Remarks, Observations, &c. on Shakespear, (if you except some critical Notes on Macbeth, given as a Specimen of a projected Edition, and written, as appears, by a Man of Parts and Genius) the rest are absolutely below a serious Notice.
The whole a Critic can do for an Author who deserves his Service, is to correct the faulty Text; to remark the Peculiarities of Language; to illustrate the obscure Allusions; and to explain the Beauties and Defects of Sentiment or Composition. And surely, if ever Author had a Claim to this Service, it was our Shakespear: Who, widely excelling in the Knowledge of Human Nature, hath given to his infinitely varied Pictures of it, such Truth of Design, such Force of Drawing, such Beauty of Colouring, as was hardly ever equalled by any Writer, whether his Aim was the Use, or only the Entertainment of Mankind. The Notes in this Edition, therefore, take in the whole Compass of Criticism.
I. The first sort is employed in restoring the Poet's genuine Text; but in those Places only where it labours with inextricable Nonsense. In which, how much soever I may have given Scope to critical Conjecture, where the old Copies failed me, I have indulged nothing to Fancy or Imagination; but have