The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2689]
But I am too much in advance, and must retreat for more advantage. I should not forget how much opinion is against me, and that I am to make my way by the mere force and weight of evidence; without which I must not hope to possess myself of the reader: No address, no insinuation will avail. To this evidence, then, I now resort. The Courage of Falstaff is my Theme: And no passage will I spare from which any thing can be inferred as relative to this point. It would be as vain as injudicious to attempt concealment: How could I escape detection? The Play is in every one's memory, and a single passage remembered in detection would tell, in the mind of the partial observer, for fifty times its real weight. Indeed this argument would be void of all excuse if it declined any difficulty; if it did not meet, if it did not challenge opposition. Every passage then shall be produced from which, in my opinion, any inference, favourable or unfavourable, has or can be drawn;—but not methodically, not formally, as texts for comment, but as chance or convenience shall lead the way; but in what shape soever, they shall be always distinguishingly marked for notice. And so with that attention to truth and candour which ought to accompany even our lightest amusements I proceed to offer such proof as the case will admit, that Courage is a part of Falstaff's Character, that it belonged to his constitution, and was manifest in the conduct and practice of his whole life.
Let us then examine, as a source of very authentic information, what Impressions Sir John Falstaff had made on the characters of the Drama; and in what estimation he is supposed to stand with mankind in general as to the point of Personal Courage. But the quotations we make for this or other purposes, must, it is confessed, be lightly touched, and no particular passage strongly relied on, either in his favour or against him. Every thing which he himself says, or is said of him, is so phantastically discoloured by humour, or folly, or jest, that we must for the most part look to the spirit rather than the letter of what is uttered, and rely at last only on a combination of the whole.
We will begin then, if the reader pleases, by inquiring what Impression the very Vulgar had taken of Falstaff. If it is not that of Cowardice, be it what else it may, that of a man of violence, or a Ruffian in years, as Harry calls him, or any thing else, it answers my purpose; how insignificant soever the characters or incidents to