The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2694]
But it may be said that Falstaff was in truth the child of invention only, and that a reference to the Feudal accidents of birth serves only to confound fiction with reality: Not altogether so. If the ideas of courage and birth were strongly associated in the days of Shakespeare, then would the assignment of high birth to Falstaff carry, and be intended to carry along with it, to the minds of the audience the associated idea of Courage, if nothing should be specially interposed to dissolve the connection;—and the question is as concerning this intention, and this effect.
I shall proceed yet farther to make a few very minute observations of the same nature: But if Shakespeare meant sometimes rather to impress than explain, no circumstances calculated to this end, either directly or by association, are too minute for notice. But however this may be, a more conciliating reason still remains: The argument itself, like the tales of our Novelists, is a vehicle only; theirs, as they profess, of moral instruction; and mine of critical amusement. The vindication of Falstaff's Courage deserves not for its own sake the least sober discussion; Falstaff is the word only, Shakespeare is the Theme: And if thro' this channel I can furnish no irrational amusement, the reader will not, perhaps, every where expect from me the strict severity of logical investigation.
Falstaff, then, it may be observed, was introduced into the world,—(at least we are told so) by the name of Oldcastle. This was assigning him an origin of nobility; but the family of that name disclaiming any kindred with his vices, he was thereupon, as it is said, ingrafted into another stock scarcely less distinguished, tho' fallen into indelible disgraces; and by this means he has been made, if the conjectures of certain critics are well founded, the Dramatic successor, tho', having respect to chronology, the natural proavus of another Sir John, who was no less than a Knight of the most noble order of the Garter, but a name for ever dishonoured by a frequent exposure in that Drum-and-trumpet Thing called The first part of Henry VI., written doubtless, or rather exhibited, long before Shakespeare was born, tho' afterwards repaired, I think, and furbished up by him with here and there a little sentiment and diction. This family, if any branch of it remained in Shakespeare's time, might have been proud of their Dramatic ally, if indeed they could have any fair pretence to claim as such him whom Shakespeare, perhaps in contempt of Cowardice, wrote Falstaff, not Fastolfe, the true Historic name of the Gartered Craven.
In the age of Henry IV. a Family crest and arms were authentic proofs of gentility; and this proof, among others, Shakespeare has furnished us with: Falstaff always carried about him, it seems, a Seal ring of his Grandfather's, worth, as he says, forty marks: The Prince indeed affirms, but not seriously I think, that this ring was copper. As to the existence of the bonds, which were I suppose the negotiable securities or paper-money of the time, and which he pretended to have lost, I have nothing to say; but the ring, I believe, was really gold; tho' probably a little too much alloyed with