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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [2723]

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seen a single representation of him only, it might have been proper enough; but as he was to be shewn from night to night, and from age to age, the disgust arising from the close would by degrees have spread itself over the whole character; reference would be had throughout to his bad principles, and he would have become less acceptable as he was more known: And yet it was necessary to bring him, like all other stage characters, to some conclusion. Every play must be wound up by some event, which may shut in the characters and the action. If some hero obtains a crown, or a mistress, involving therein the fortune of others, we are satisfied;—we do not desire to be afterwards admitted of his council, or his bed-chamber: Or if through jealousy, causeless or well founded, another kills a beloved wife, and himself after,—there is no more to be said;—they are dead, and there an end; Or if in the scenes of Comedy, parties are engaged, and plots formed, for the furthering or preventing the completion of that great article Cuckoldom, we expect to be satisfied in the point as far as the nature of so nice a case will permit, or at least to see such a manifest disposition as will leave us in no doubt of the event. By the bye, I cannot but think that the Comic writers of the last age treated this matter as of more importance, and made more bustle about it, than the temper of the present times will well bear; and it is therefore to be hoped that the Dramatic authors of the present day, some of whom, to the best of my judgment, are deserving of great praise, will consider and treat this business, rather as a common and natural incident arising out of modern manners, than as worthy to be held forth as the great object and sole end of the Play.

But whatever be the question, or whatever the character, the curtain must not only be dropt before the eyes, but over the minds of the spectators, and nothing left for further examination and curiosity.—But how was this to be done in regard to Falstaff? He was not involved in the fortune of the Play; he was engaged in no action which, as to him, was to be compleated; he had reference to no system, he was attracted to no center; he passes thro' the Play as a lawless meteor, and we wish to know what course he is afterwards likely to take: He is detected and disgraced, it is true; but he lives by detection, and thrives on disgrace; and we are desirous to see him detected and disgraced again. The Fleet might be no bad scene of further amusement;—he carries all within him, and what matter where, if he be still the same, possessing the same force of mind, the same wit, and the same incongruity. This, Shakespeare was fully sensible of, and knew that this character could not be compleatly dismissed but by death.—“Our author,” says the Epilogue to the Second Part of Henry IV., “will continue the story with Sir John in it, and make you merry with fair Catherine of France; where, for any thing I know, Falstaff shall dye of a sweat, unless already he be killed with your hard opinions.” If it had been prudent in Shakespeare to have killed Falstaff with hard opinion, he had the means in his hand to effect it;—but dye, it seems, he must, in one form or another, and a sweat would have been no unsuitable catastrophe. However we have reason to be satisfied as it is;—his death was worthy of his birth and of his life: “He was born,” he says, “about three o'clock in the afternoon, with a white head, and something a round belly.” But if he came into the world in the evening with these marks of age, he departs out of it in the morning in all the follies and vanities of youth;—“He was shaked” (we are told) “of a burning quotidian tertian;—the young King had run bad humours on the knight;—his heart was fracted and corroborate; and a' parted just between twelve and one, even at the turning of the tide, yielding the crow a pudding, and passing directly into Arthur's bosom, if ever man went into the bosom of Arthur.”—So ended this singular buffoon; and with him ends an Essay, on which the reader is left to bestow what character

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