The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3086]
And at the summit the ideal.
The ideal!—inflexible type of perpetual progress.
To whom belong men of genius if not to thee, people? They do belong to thee; they are thy sons and thy fathers. Thou givest birth to them, and they teach thee. They open in thy chaos vistas of light. Children, they have drunk thy sap. They have leaped in the universal matrix, humanity. Each of thy phases, people, is an avatar. The deep essence of life, it is in thee that it must be looked for. Thou art the great bosom. Geniuses are begotten from thee, mysterious crowd.
Let them therefore return to thee.
People, the author, God, dedicates them to thee.
FRATERNIZATION
The nineteenth century springs from itself only; it does not receive its impulse from any ancestor; it is the offspring of an idea. Doubtless, Isaiah, Homer, Aristotle, Dante, Shakespeare, have been or could be great starting points for important philosophical or poetical formations; but the nineteenth century has an august mother,—the French Revolution. It has that powerful blood in its veins. It honours men of genius. When denied it salutes them, when ignored it proclaims them, when persecuted it avenges them, when insulted it crowns them, when dethroned it replaces them upon their pedestal; it venerates them, but it does not proceed from them. The nineteenth century has for family itself, and itself alone. It is the characteristic of its revolutionary nature to dispense with ancestors.
Itself a genius, it fraternizes with men of genius. As for its source, it is where theirs is,—beyond man. The mysterious generations of progress succeed each other according to a providential law. The nineteenth century is born of civilization. It has a continent to bring into the world. France has borne this century; and this century bears Europe.
The Greek stock bore civilization, narrow and circumscribed at first by the mulberry leaf, confined to the Morea; then civilizaiton, gaining step by step, grew broader, and formed the Roman stock. It is today the French stock,—that is to say, all Europe,—with young shoots in America, Africa, and Asia.
The greatest of these young shoots is a democracy,—the United States, the sprouting of which was aided by France in the last century. Fance, sublime essayist in progress, has founded a republic in America before making one in Europe. Et vidit quod esset bonum. After having lent to Washington an auxiliary, Lafayette, France, upon returning home, gave to Voltaire, dismayed within his tomb, that formidable successor, Danton. In presence of the monstrous past, hurling every thunder, exhaling every miasma, breathing every darkness, protruding every talon, horrible and terrible, progress, constrained to use the same weapons, has had suddenly a hundred arms, a hundred heads, a hundred tongues of fire, a hundred roarings. The good has transformed itself into a hydra. It is this that is termed the Revolution.
Nothing can be more august.
The Revolution ended one century and began another.
An intellectual awakening prepares the way for an overthrow of facts,—and this is the eighteenth century. After which the political revolution, once accomplished, seeks expression, and the literary and social revolution completes it: this is the nineteenth century. With ill-will, but not unjustly, has it been said that romanticism and socialism are identical: hatred, in its desire to injure, very often establishes, and, so far as is in its power, consolidates.
A Parenthesis. This word, romanticism, has, like all war-cries, the advantage of readily summing up a group of ideas. It is brief,—which pleases in the contest; but it has, to our idea, through its militant signification, the objection or appearing