The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3228]
As to the exact features of Shakespeare's own moral character as a man; whether or how far he was himself a model of virtuous living; in what measure the moral beauty of his poetical conceptions lived in the substance of his practical conversations; the little that is known touching the facts of his life does not enable us to judge. The most we can say on this score is, that we have a few authentic notes of strong commendation, and nothing authentic whatever to set against them. Thus Chettle, in his apology, tells us that "divers of worship have reported his uprightness of dealing, which argues his honesty"; and his editors, Heminge and Condell, in their dedication claim to have no other purpose than "to keep the memory of so worthy a friend and fellow alive as was our Shakespeare." Ben Jonson, too, a pure and estimable man, who knew him well, and who was not apt to be over-indulgent in his judgments of men, speaks of him as "my beloved Shakespeare" and "my gentle Shakespeare"; and describes him as follows:
"Look, how the father's face Lives in his issue, even so the race Of Shakespeare's mind and manners brightly shines In his well-turnèd and true-filèd lines."
These things were said some seven years after the Poet's death; and many years later the same stanch and truthful man speaks of him as "being indeed honest, and of an open and free nature." I do not now recall any other authentic testimonials to his moral character; and, considering how little is known of his life, it is rather surprising that we should have so much in evidence of his virtues as a man. But it is with what he taught; not what he practised, that we are here mainly concerned: with the latter indeed we have properly nothing to do, save as it may have influenced the former: it is enough for our purpose that he saw and spoke the right, whether he acted it or not. For, whatever his faults and infirmities and shortcomings as a man, it is certain that they did not infect his genius or taint his mind, so as to work it into any deflection from the straight and high path of moral and intellectual righteousness.
I have said that Shakespeare does not put his personal views, sentiments, and preferences, in a word, his individuality, into his characters. These stand, morally, on their own bottom; he is but the describer of them, and so is not answerable for what they do: he holds the mirror up to them, or rather to nature in them; they do not hold it up to him: we see them in what he says, but not him in what they say. And, of course, as we may not impute to him, morally, their vices, so neither have we any right to credit him, morally, with their virtues. All this, speaking generally, is true; and it implies just the highest praise that can possibly be accorded to any man as a