The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3250]
How nicely, on the one hand, Shakespeare discriminates things that really differ, so as to present in all cases the soul of womanhood, without a particle of effeminacy; and how perfectly, on the other hand, he reconciles things that seem most diverse, pouring into his women all the intellectual forces of the other sex, without in the least impairing or obscuring their womanliness;—all this is not more rare in poetry than it is characteristic of his workmanship. Thus Portia is as much superior to her husband in intellect, in learning, and accomplishment, as she is in wealth; but she is none the less womanly for all that. Nor, which is more, does she ever on that account take the least thought of inverting the relation between them. In short, her mental superiority breeds no kind of social displacement, nor any desire of it. Very few indeed of the Poet's men are more highly charged with intellectual power. While she is acting the lawyer in disguise, her speech and bearing seem to those about her in the noblest style of manliness. In her judge-like gravity and dignity of deportment; in the extent and accuracy of her legal knowledge; in the depth and appropriateness of her moral reflections; in the luminous order, the logical coherence, and the beautiful transparency of her thoughts, she almost rivals our Chief Justice Marshall. Yet to us, who are in the secret of her sex, all the proprieties, all the inward harmonies, of her character are exquisitely preserved; and the essential grace of womanhood seems to irradiate and consecrate the dress in which she is disguised.
Nor is it any drawback on her strength and substantial dignity of character, that her nature is all overflowing with romance: rather, this it is that glorifies her, and breathes enchantment about her; it adds that precious seeing to the eye which conducts her to such winning beauty and sweetness of deportment, and makes her the "rich-souled creature" that Schlegel describes her to be. Therewithal she may be aptly quoted as a mark-worthy instance how the Poet makes the several parts and persons of a drama cohere not only with one another but with the general circumstances wherein they occur. For so in Portia's character the splendour of Italian skies and scenery and art is reproduced; their spirit lives in her imagination, and is complicated with all she does and says.
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If Portia is the beauty of this play, Shylock is its strength. He is a standing marvel of power and scope in the dramatic art; at the same time appearing so much a man of Nature's making, that we can hardly think of him as a creation of art. In the delineation Shakespeare had no less a task than to fill with individual life and peculiarity the broad, strong outlines of national character in its most revolting form. Accordingly Shylock is a true representative of his nation; wherein we have a pride which for ages never ceased to provoke hostility, but which no hostility could ever subdue;