The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3301]
"It is the show and seal of nature's truth, Where love's strong passion is impress'd in youth."
Well might Campbell say of her, that "she redeems nobility by reverting to nature."
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Johnson delivers his mind touching the young Count as follows: "I cannot reconcile my heart to Bertram;—a man noble without generosity, and young without truth; who marries Helena as a coward, and leaves her as a profligate: when she is dead by his unkindness, sneaks home to a second marriage; is accused by a woman he has wronged, defends himself by falsehood, and is dismissed to happiness." A terrible sentence indeed! and its vigour, if not its justice, is attested by the frequency with which it has been quoted.
Now, in the first place, the Poet did not mean we should reconcile our hearts to Bertram, but that he should not unreconcile them to Helena; nay, that her love should appear the nobler for the unworthiness of its object. Then, he does not marry her as a coward, but merely because he has no choice; nor does he yield till he has shown all the courage that were compatible with discretion. She is forced upon him by a stretch of prerogative which seems strange indeed to us, but which in feudal times was generally held to be just and right, so that resistance to it was flat rebellion. And, as before observed, Bertram's purpose of stealing away to the war was bravely formed without any reference to Helena, and from a manly impulse or ambition to be doing something that might show him not unworthy of his House and his social inheritance. The King presses him with the hard alternative of taking Helena as his wife,
"Or I will throw thee from my care for ever Into the staggers and the cureless lapse Of youth and ignorance; both my revenge and hate Loosing upon thee, in the name of justice, Without all terms of pity."
Nor, when thus driven to make a show of mastering his aversion, is there any thing mean or cringing in the way he does it: his language is not only reluctant and reserved, but is even made severe with a dash of irony:
"When I consider What great creation and what dole of honour Flies where you bid it, I find that she, which late Was in my nobler thoughts most base, is now The praisèd of the King."
Marriage, in truth, is a thing that he has not begun to think of; the passion that rightly leads to it is yet dormant in him; to the proper charms of woman he is insensible, his heart being all set on other things. Then, again, he does not leave Helena as a profligate, but rather to escape from what is to him an unholy match, as being on his side without love; and his profligacy is not so much the cause as the consequence of his flight and exile. In the midst of his manlier work, he is surprised into a passion unfelt by him before; and the tie which has been strained upon him, and which his heart still disowns, is partly to blame for the profligate intrigue into which he plunges, because it shuts off the conditions of an honourable love.—Finally, he is not dismissed to happiness, but rather left where he cannot be happy, unless he shall have dismissed his