The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3316]
In this account and these extracts there are several points which clearly connect with certain things in the play. To mark those points, or to trace out that connection, seems hardly worth the while. It may be well to add that the Poet's still-vexed Bermoothes seems to link his work in some way with Jourdan's narrative. So that 1610 is as early a date as can well be assigned for the writing of The Tempest. The supernatural in the play was no doubt the Poet's own creation; but it would have been in accordance with his usual method to avail himself of whatever interest might spring from the popular notions touching the Bermudas. In his marvellous creations the people would see nothing but the distant marvels with which their fancies were prepossessed.
Concurrent with all this is the internal evidence of the play itself. The style, language, and general cast of thought, the union of richness and severity, the grave, austere beauty of character which pervades it, and the organic compactness of the whole structure, all go to mark it as an issue of the Poet's ripest years. Coleridge regarded it as "certainly one of Shakespeare's latest works, judging from the language only." Campbell the poet considers it his very latest. "The Tempest," says he, "has a sort of sacredness as the last work of a mighty workman. Shakespeare, as if conscious that it would be his last, and as if inspired to typify himself, has made his hero a natural, a dignified, and benevolent magician, who could conjure up 'spirits from the vasty deep,' and command supernatural agency by the most seemingly-natural and simple means. Shakespeare himself is Prospero, or rather the superior genius who commands both Prospero and Ariel. But the time was approaching when the potent sorcerer was to break his staff, and bury it fathoms in the ocean 'deeper than did ever plummet sound.' That staff has never been and will never be recovered." But I suspect there is more of poetry than of truth in this; at least I can find no warrant for it: on the contrary, we have fair ground for believing that at least Coriolanus, King Henry the Eighth, and perhaps The Winter's Tale were written after The Tempest. Mr. Verplanck, rather than