The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3351]
Unwarranted doubts of the tradition.
The tradition has been challenged on the ground that the Charlecote deer-park was of later date than the sixteenth century. But Sir Thomas Lucy was an extensive game-preserver, and owned at Charlecote a warren in which a few harts or does doubtless found an occasional home. Samuel Ireland was informed in 1794 that Shakespeare stole the deer, not from Charlecote, but from Fulbroke Park, a few miles off, and Ireland supplied in his ‘Views on the Warwickshire Avon,’ 1795, an engraving of an old farmhouse in the hamlet of Fulbroke, where he asserted that Shakespeare was temporarily imprisoned after his arrest. An adjoining hovel was locally known for some years as Shakespeare’s ‘deer-barn,’ but no portion of Fulbroke Park, which included the site of these buildings (now removed), was Lucy’s property in Elizabeth’s reign, and the amended legend, which was solemnly confided to Sir Walter Scott in 1828 by the owner of Charlecote, seems pure invention.
Justice Shallow
The ballad which Shakespeare is reported to have fastened on the park gates of Charlecote does not, as Rowe acknowledged, survive. No authenticity can be allowed the worthless lines beginning ‘A parliament member, a justice of peace,’ which were represented to be Shakespeare’s on the authority of an old man who lived near Stratford and died in 1703. But such an incident as the tradition reveals has left a distinct impress on Shakespearean drama. Justice Shallow is beyond doubt a reminiscence of the owner of Charlecote. According to Archdeacon Davies of Saperton, Shakespeare’s ‘revenge was so great that’ he caricatured Lucy as ‘Justice Clodpate,’ who was (Davies adds) represented on the stage as ‘a great man,’ and as bearing, in allusion to Lucy’s name, ‘three louses rampant for his arms.’ Justice Shallow, Davies’s ‘Justice Clodpate,’ came to birth in the ‘Second Part of Henry IV’ (1598), and he is represented in the opening scene of the ‘Merry Wives of Windsor’ as having come from Gloucestershire to Windsor to make a Star-Chamber matter of a poaching raid on his estate. The ‘three luces hauriant argent’ were the arms borne by the Charlecote Lucys, and the dramatist’s prolonged reference in this scene to the ‘dozen white luces’ on Justice Shallow’s ‘old coat’ fully establishes Shallow’s identity with Lucy.
The flight