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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3456]

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has evoked the fantastic theory that Shakespeare was not the author of the literature that passes under his name, and perverse attempts have been made to assign his works to his great contemporary, Francis Bacon (1561-1626), the great contemporary prose-writer, philosopher, and lawyer. It is argued that Shakespeare’s plays embody a general omniscience (especially a knowledge of law) which was possessed by no contemporary except Bacon; that there are many close parallelisms between passages in Shakespeare’s and passages in Bacon’s works, and that Bacon makes enigmatic references in his correspondence to secret ‘recreations’ and ‘alphabets’ and concealed poems for which his alleged employment as a concealed dramatist can alone account. Toby Matthew wrote to Bacon (as Viscount St. Albans) at an uncertain date after January 1621: ‘The most prodigious wit that ever I knew of my nation and of this side of the sea is of your Lordship’s name, though he be known by another.’ This unpretending sentence is distorted into conclusive evidence that Bacon wrote works of commanding excellence under another’s name, and among them probably Shakespeare’s plays. According to the only sane interpretation of Matthew’s words, his ‘most prodigious wit’ was some Englishman named Bacon whom he met abroad—probably a pseudonymous Jesuit like most of Matthew’s friends. (The real surname of Father Thomas Southwell, who was a learned Jesuit domiciled chiefly in the Low Countries, was Bacon. He was born in 1592 at Sculthorpe, near Walsingham, Norfolk, being son of Thomas Bacon of that place, and he died at Watten in 1637.)

Chief exponents. Its vogue in America.

Joseph C. Hart (U.S. Consul at Santa Cruz, d. 1855), in his ‘Romance of Yachting’ (1848), first raised doubts of Shakespeare’s authorship. There followed in a like temper ‘Who wrote Shakespeare?’ in ‘Chambers’s Journal,’ August 7, 1852, and an article by Miss Delia Bacon in ‘Putnams’ Monthly,’ January, 1856. On the latter was based ‘The Philosophy of the Plays of Shakespeare unfolded by Delia Bacon,’ with a neutral preface by Nathaniel Hawthorne, London and Boston, 1857. Miss Delia Bacon, who was the first to spread abroad a spirit of scepticism respecting the established facts of Shakespeare’s career, died insane on September 2, 1859. Mr. William Henry Smith, a resident in London, seems first to have suggested the Baconian hypothesis in ‘Was Lord Bacon the author of Shakespeare’s plays?—a letter to Lord Ellesmere’ (1856), which was republished as ‘Bacon and Shakespeare’ (1857). The most learned exponent of this strange theory was Nathaniel Holmes, an American lawyer, who published at New York in 1866 ‘The Authorship of the Plays attributed to Shakespeare,’ a monument of misapplied ingenuity (4th edit. 1886, 2 vols.) Bacon’s ‘Promus of Formularies and Elegancies,’ a commonplace book in Bacon’s handwriting in the British Museum (London, 1883), was first edited by Mrs. Henry Pott, a voluminous advocate of the Baconian theory; it contained many words and phrases common to the works of Bacon and Shakespeare, and Mrs. Pott pressed the argument from parallelisms of expression to its extremest limits. The Baconian theory has found its widest acceptance in America. There it achieved its wildest manifestation in the book called ‘The Great Cryptogram: Francis Bacon’s Cypher in the so-called Shakespeare Plays’ (Chicago and London, 1887, 2 vols.), which was the work of Mr. Ignatius Donnelly of Hastings, Minnesota. The author pretended to have discovered among Bacon’s papers a numerical cypher which enabled him to pick out letters appearing at certain intervals in the pages of Shakespeare’s First Folio, and the selected letters formed words and sentences categorically stating that Bacon was author of the plays. Many refutations have been published of Mr. Donnelly’s arbitrary and baseless contention.

Extent of the literature.

A Bacon Society was founded in London in 1885 to develop and promulgate the unintelligible theory, and it inaugurated a magazine (named since May 1893 ‘Baconiana’). A quarterly periodical

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