Online Book Reader

Home Category

The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3467]

By Root 21505 0
were all in the habit of masking themselves behind such symbols. Patrons figured under initials in dedications somewhat less frequently than other sharers in the book’s production. But the conditions determining the employment of initials in that relation were well defined. The employment of initials in a dedication was a recognised mark of a close friendship or intimacy between patron and dedicator. It was a sign that the patron’s fame was limited to a small circle, and that the revelation of his full name was not a matter of interest to a wide public. Such are the dominant notes of almost all the extant dedications in which the patron is addressed by his initials. In 1598 Samuel Rowlands addressed the dedication of his ‘Betraying of Christ’ to his ‘deare affected friend Maister H. W., gentleman.’ An edition of Robert Southwell’s ‘Short Rule of Life’ which appeared in the same year bore a dedication addressed ‘to my deare affected friend M. [i.e. Mr.] D. S., gentleman.’ The poet Richard Barnfield also in the same year dedicated the opening sonnet in his ‘Poems in divers Humours’ to his ‘friend Maister R. L.’ In 1617 Dunstan Gale dedicated a poem, ‘Pyramus and Thisbe,’ to the ‘worshipfull his verie friend D. [i.e. Dr.] B. H.

Frequency of wishes for ‘happiness’ and ‘eternity’ in dedicatory greetings.

There was nothing exceptional in the words of greeting which Thorpe addressed to his patron ‘Mr. W. H.’ They followed a widely adopted formula. Dedications of the time usually consisted of two distinct parts. There was a dedicatory epistle, which might touch at any length, in either verse or prose, on the subject of the book and the writer’s relations with his patron. But there was usually, in addition, a preliminary salutation confined to such a single sentence as Thorpe displayed on the first page of his edition of Shakespeare’s sonnets. In that preliminary sentence the dedicator habitually ‘wisheth’ his patron one or more of such blessings as health, long life, happiness, and eternity. ‘Al perseverance with soules happiness’ Thomas Powell ‘wisheth’ the Countess of Kildare on the first page of his ‘Passionate Poet’ in 1601. ‘All happines’ is the greeting of Thomas Watson, the sonnetteer, to his patron, the Earl of Oxford, on the threshold of Watson’s ‘Passionate Century of Love.’ There is hardly a book published by Robert Greene between 1580 and 1592 that does not open with an adjuration before the dedicatory epistle in the form: ‘To --- --- Robert Greene wisheth increase of honour with the full fruition of perfect felicity.’

Thorpe in Shakespeare’s sonnets left the salutation to stand alone, and omitted the supplement of a dedicatory epistle; but this, too, was not unusual. There exists an abundance of contemporary examples of the dedicatory salutation without the sequel of the dedicatory epistle. Edmund Spenser’s dedication of the ‘Faerie Queene’ to Elizabeth consists solely of the salutation in the form of an assurance that the writer ‘consecrates these his labours to live with the eternitie of her fame.’ Michael Drayton both in his ‘Idea, The Shepheard’s Garland’ (1593), and in his ‘Poemes Lyrick and Pastorall’ (1609), confined his address to his patron to a single sentence of salutation. Richard Brathwaite in 1611 exclusively saluted the patron of his ‘Golden Fleece’ with ‘the continuance of God’s temporall blessings in this life, with the crowne of immortalitie in the world to come;’ while in like manner he greeted the patron of his ‘Sonnets and Madrigals’ in the same year with ‘the prosperitie of times successe in this life, with the reward of eternitie in the world to come.’ It is ‘happiness’ and ‘eternity,’ or an equivalent paraphrase, that had the widest vogue among the good wishes with which the dedicator in the early years of the seventeenth century besought his patron’s favour on the first page of his book. But Thorpe was too self-assertive to be a slavish imitator. His addiction to bombast and his elementary appreciation of literature recommended to him the practice of incorporating in his dedicatory salutation

Return Main Page Previous Page Next Page

®Online Book Reader