The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3506]
"Upon Weddensdaye, one Browne a serving man in a blew coate, a shifting fellowe, having a perilous wit of his owne, intending a spoil if he could have brought it to passe, did at the theatre-doore quarrell with certayn poore boyes, handicraft prentices, and strooke some of them; and lastlie, he, with his sword, wounded and maymed one of the boyes upon the left hand. Whereupon there assembled near a thousand people. This Browne did very cunningly conveye himself away, but by chance he was taken after and brought to Mr. Humprey Smithe, and because no man was able to charge him, he dismyssed him."
Though the Council ordered the suppression of both the Theatre and the Curtain at this time, Fleetwood's report of the disturbances seems to place the blame largely upon the Theatre. If the Queen's players were then performing at the Theatre, under the management of Burbage, it is most unlikely that the "chiefest of her Highnes' players"—who informed Fleetwood that the owner of the Theatre was a "stubborne fellow," and advised that he be sent for and "bounde"—would have given advice and information so unfriendly to their own manager, and there cannot be the slightest doubt that Burbage was "the owner" of the Theatre from 1576 to 1596. It is apparent that the leader of the Queen's company was willing that the onus of the disturbances should be placed upon the Theatre rather than upon the Curtain, where the Queen's players were evidently performing at this time—Lord Arundel's company temporarily occupying the Theatre, Lord Hunsdon's company being at that time upon a provincial tour. They are recorded as performing in Bath in June 1584.
A consideration of the records of Lord Hunsdon's company, and of previous companies that performed under this name, gives fair evidence that James Burbage established this company in 1582, at or before which date he severed his active connection as a player with the Earl of Leicester's players, though still continuing his own theatrical organisation at the Theatre under the patronage of Leicester, as the Earl of Leicester's musicians, and maintaining relations with Leicester's players as a theatre owner.
Burbage's reason in 1582 for transferring from the patronage of Leicester for his theatrical employees to that of Lord Hunsdon was, no doubt, the fact of Leicester's departure for the Continent in this year. The constant attacks being made by the puritanical authorities upon the London theatrical interests made it expedient for him to have the protection of a nobleman whose aid could be quickly invoked in case of trouble. As I will show later that Burbage was regarded with disfavour by Burghley in 1589, it is likely that the opposition he met with from the local authorities in these earlier years was instigated by Burghley's agents and gossips. Recorder Fleetwood, chief amongst these, reports Burbage's alleged transgressions with such evident unction it is apparent that he knew his message would have a sympathetic reception.
It shall be shown that in later years the Burbage theatrical organisation was anti-Cecil and pro-Essex in its tacit political representations; it is not unlikely that it was recognised as anti-Cecil and pro-Leicester in these early years, and that in this manner it incurred Burghley's ill-will.
Previous to the year 1567 there existed a company under the patronage