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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3510]

By Root 21484 0
out—in the Pipe Rolls (542 fol. 156) these same performances are assigned to Strange's men. It is evident, then, that late in 1588 (the first performance of this nature being recorded on the 27th of December) a junction took place between certain members of Lord Strange's tumblers and the Lord Admiral's men, who had been connected since 1585 with the Lord Chamberlain's men, and that, at the same time, the leading members of Lord Leicester's company became affiliated with them.

In the following Christmas season, 1591-92, Lord Strange's players—now thoroughly organised into a regular company of players—gave six performances before the Court, supplanting the formerly powerful and popular Queen's company, which gave only one performance in that season, and never afterwards appeared before the Court. There is no further record of a Court performance by the Lord Admiral's company until the Christmas season of 1594-95, by which time they had parted from the Lord Chamberlain's men and reorganised by absorbing members from other companies—such as the Earl of Sussex and Earl of Pembroke's companies, which at this time disappear from the records.

Here, then, we find, between the Christmas season of 1588-89 and 1591-92, an amalgamation into one company of a portion of the membership of four different companies, all of which had, immediately before, been associated in some measure with the theatrical interests of the Burbages.

While a chance record remains which reveals official action in the formation of the Queen's company of players in 1583, and no actual record of official action has yet been found to account for the sudden Court favour accorded the new and powerful Lord Strange's company in 1591, it is very apparent that an equally authoritative purpose existed in the latter case.

Between the years 1574 and 1583 the Earl of Leicester's company, under the auspices of James Burbage, held the position of the leading company of players in London. During the Christmas and New Year festivities in every year but one in this decade, Leicester's company played before the Court, being supplanted by the newly formed Queen's company in 1583-84.

Howes states in his Additions to Stowe's Chronicles that "in 1583 twelve of the best players were chosen out of several great Lords' companies and sworn the Queen's servants, being allowed wages and liveries as Grooms of the Chamber," and among these, two players, Thomas (Robert) Wilson and Richard Tarleton, were chosen. As these players and John Laneham were taken from Lord Leicester's company it has been incorrectly inferred that James Burbage—who is known to have been the leader of the company as late as 1575—went with them to the Queen's company at this time.

It is apparent that changes so important in the several companies affected by the disruption of their memberships could not be made in a very short time, and that test performances and negotiations of some duration preceded the actual amalgamation of the new company. Burbage's reason for securing Lord Hunsdon's patronage in 1582 was, no doubt, because of Leicester's departure for the Continent in this year and the disorganisation of Leicester's company, caused by the formation of the new Queen's company at the same period.

Between 1583 and 1590, while other companies performed occasionally at the Court, the Queen's company performed during the Christmas festivities every season—and usually upon several occasions—in each year. In the Christmas season of 1591-92, however, they performed only once, and then for the last time on record, while Lord Strange's company appeared in this season upon six occasions. This company, under its various later titles, retained the position it had now attained—of the leading Court company—for the next forty years. It is evident, then, that the amalgamation of the leading members of Lord Strange's acrobats, the Lord Chamberlain's, the Earl of Leicester's, and the Lord Admiral's players, which I have shown began in tentative Court performances in the Christmas season of 1588-89, and which culminated in the

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