• Choose a category
• All
• Classic-Fiction

By Root 18966 0

with which one instinctively feels its creator's sympathy, I am convinced that Shakespeare portrayed the personality of Sir John Perrot, an illegitimate son of Henry VIII., and half-brother to Queen Elizabeth. The immense physical proportions of both Perrot and Falconbridge; their characteristic and temperamental resemblances; their common illegitimate birth; the fact that both were trusted generals and relatives of their sovereigns; their similar bluff and masterful manner; their freedom of speech; and the suggestive unison between important incidents in their lives, all exhibit a resemblance much too remarkable for mere coincidence.

In the development of certain of Shakespeare's characters we instinctively feel his sympathy with, or antipathy for, the type he represents. Like Thackeray in the case of Barry Lyndon, he paints in Falstaff a rascal so interesting that he leads us almost to condone his rascality; yet who can doubt in either instance the author's inherent antipathy to the basic character he portrays. On the other hand, in depicting Biron, Antonio, and Jacques, we feel a sympathetic touch. For no one of his numerous characters is his admiration so apparent and unreserved as for that of Falconbridge. With other characters, such as Biron, Antonio, Jacques, Hamlet, and Prospero in their successive stages, we apprehend a closer mental likeness to, and spiritual synthesis of, their creator; here, however, is no creature of the brain, but a flesh-and-blood man of action, taken bodily from life. An early date for the original composition of King John is manifest in the broad strokes of portraiture, and lack of introspective subtlety, with which this character is drawn.

Sir John Perrot was a natural son of Henry VIII. and Mary Berkley, afterwards wife of Thomas Perrot of Islington and Herrodston in Pembrokeshire. His resemblance to Henry VIII. was striking, although his physical proportions were still larger. Much as he resembled his father he more nearly approximated in type both temperamentally and physically to "Cœur-de-lion." Perrot lived about two hundred years too late for his own fame. Had he been born a couple of centuries earlier he might have lived in history as a paladin of romance. He was a fantastical recrudescence, of the most fanciful age of chivalry. He is reported to have possessed extraordinary strength, and in his youth to have been much addicted to brawling. At about the age of twenty he owed his introduction to Henry VIII. to a fight in which he became engaged with two of the Yeomen of the Guard who endeavoured to oust him from the palace grounds, and whom he worsted in the effort. The King appearing upon the scene, Perrot is reported to have proclaimed himself his son. Henry received him favourably and promised him preferment, but died soon afterwards. Edward VI., upon his accession, acknowledged his kinship and created him Knight of the Bath. He was a very skilful horseman and swordsman, and excelled in knightly exercises.

In 1551 he accompanied the Marquis of Southampton to France upon the mission of the latter to negotiate a marriage between Edward VI. and Elizabeth, daughter of Henry II. The French King was so well pleased with him that he offered to retain him in his service. While generous and brave to an unusual degree, Perrot was extremely hot-tempered and of an arbitrary disposition. He seems to have inherited all of his father's mental, moral, and physical attributes in an exaggerated form, and to have had an ever-present consciousness of his kingly lineage. Money flowed through his fingers like water; he was rarely out of debt, and was relieved in this respect by both Edward VI. and Elizabeth. Upon the accession of Queen Mary, Perrot, though a Protestant, continued in royal favour; his kinship outweighing his religious disadvantage. He was, however, never without enemies at Court, created largely by his high-handed behaviour. During Mary's reign he was accused of sheltering heretics in his house in Wales, and was, in consequence, committed for a while to the Fleet, but was soon released.