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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3543]

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Philip of Spain, promising that if the latter would give him the Principality of Wales, he would make him Master of England and Ireland. While this evidence was palpably false, the excited condition of public feeling in regard to the Jesuit plots and the aggressive plans of Spain lent it credence. A year before, Sir William Stanley, previously quite unsuspected of disloyalty, had turned the fortress of Deventer over to the Spaniards, and the Armada, which had been in preparation for years, was expected daily on the English coasts. Perrot, while not yet placed under arrest, was treated coldly by the Court. His was not a temper that could stand such treatment uncomplainingly. Knowing that the Queen's ill-usage of him arose largely from the influence of Sir Christopher Hatton, he expressed himself somewhat freely regarding that gentleman, and in a manner that reflected upon the Queen. Hatton's hatred of Perrot was well founded, he having seduced Hatton's niece some years before. The unceasing plotting of Perrot's enemies and his own imprudence of speech led to his arrest early in 1591. After a short confinement in Burghley's house, he was removed to the Tower, where he remained for a year before he was brought to trial. At this period and while still under restraint at Burghley's house, I date the composition of Shakespeare's King John. He was tried for high treason in April 1592, being charged with using contemptuous words about the Queen, relieving known traitors and Romish priests, and also with treasonable correspondence with Philip of Spain and the Duke of Parma. All of the evidence against him, except that relating to the use of disrespectful expressions regarding the Queen, fell to the ground. He was found guilty on this one point and taken back to the Tower. Two months later—that is, on 26th June—he was brought up for judgment and condemned to death. "God's death," he exclaimed, on being led back to the Tower, "will the Queen suffer her brother to be offered up as a sacrifice to the envy of his frisking adversary?" He died a natural death in the Tower in September 1592. It is probable that had he lived the Queen would have pardoned him. It was rumoured at the time that she intended to do so. While such an intention appears probable from the fact that after his death his son was restored to his estates, it is more likely that Perrot's death, while under the Queen's disfavour, softened her resentment toward his family. Perrot's son, Sir Thomas, who inherited his estates, had incurred the ill-will of Elizabeth some years before by his clandestine marriage to Dorothy Devereux, sister of the Earl of Essex. She vented her displeasure upon every one remotely concerned in this transaction. Essex, who was entirely innocent of any complicity in it, was frowned upon for a time, and Bishop Aylmer, under whose surreptitiously obtained licence the marriage ceremony was performed, was called before the Council. The Queen for years declined to receive Lady Perrot, and upon one occasion, when visiting the Earl of Essex, refused to remain in his house upon the arrival of his sister, and was pacified only when Lady Perrot removed to a distant neighbour's.

It thus appears that the rancour of Elizabeth towards Sir John Perrot, which led to his imprisonment in 1591 and his later prosecution, was intensified by the fact of his family connection with the Earl of Essex, who at this same period was deep in her disfavour owing to his own unauthorised marriage to Lady Sidney. We may then infer that Court circles were divided in their attitude towards Perrot, and that while Sir Christopher Hatton and his followers were antagonistic to him, that Essex and his faction were correspondingly sympathetic.

I am convinced that Shakespeare's first recast of The Troublesome Raigne of King John was made at about this period, at the instigation of a court of action friendly to Perrot and antagonistic to Hatton, with the intention of arousing sympathy for Perrot by presenting him inferentially in heroic colours in the character of Falconbridge. Whatever animosities

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