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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [632]

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such is her neighbour?

Or what is he of basest function

That says his bravery is not on my cost,

Thinking that I mean him, but therein suits

His folly to the mettle of my speech?

There then! how then? what then? Let me see wherein

My tongue hath wrong'd him: if it do him right,

Then he hath wrong'd himself; if he be free,

Why then my taxing like a wild-goose flies,

Unclaim'd of any man. But who comes here?

Enter ORLANDO with his sword drawn

ORLANDO.

Forbear, and eat no more.

JAQUES.

Why, I have eat none yet.

ORLANDO.

Nor shalt not, till necessity be serv'd.

JAQUES.

Of what kind should this cock come of?

DUKE SENIOR.

Art thou thus bolden'd, man, by thy distress?

Or else a rude despiser of good manners,

That in civility thou seem'st so empty?

ORLANDO.

You touch'd my vein at first: the thorny point

Of bare distress hath ta'en from me the show

Of smooth civility; yet arn I inland bred,

And know some nurture. But forbear, I say;

He dies that touches any of this fruit

Till I and my affairs are answered.

JAQUES.

An you will not be answer'd with reason, I must die.

DUKE SENIOR.

What would you have? Your gentleness shall force

More than your force move us to gentleness.

ORLANDO.

I almost die for food, and let me have it.

DUKE SENIOR.

Sit down and feed, and welcome to our table.

ORLANDO.

Speak you so gently? Pardon me, I pray you;

I thought that all things had been savage here,

And therefore put I on the countenance

Of stern commandment. But whate'er you are

That in this desert inaccessible,

Under the shade of melancholy boughs,

Lose and neglect the creeping hours of time;

If ever you have look'd on better days,

If ever been where bells have knoll'd to church,

If ever sat at any good man's feast,

If ever from your eyelids wip'd a tear,

And know what 'tis to pity and be pitied,

Let gentleness my strong enforcement be;

In the which hope I blush, and hide my sword.

DUKE SENIOR.

True is it that we have seen better days,

And have with holy bell been knoll'd to church,

And sat at good men's feasts, and wip'd our eyes

Of drops that sacred pity hath engend'red;

And therefore sit you down in gentleness,

And take upon command what help we have

That to your wanting may be minist'red.

ORLANDO.

Then but forbear your food a little while,

Whiles, like a doe, I go to find my fawn,

And give it food. There is an old poor man

Who after me hath many a weary step

Limp'd in pure love; till he be first suffic'd,

Oppress'd with two weak evils, age and hunger,

I will not touch a bit.

DUKE SENIOR.

Go find him out.

And we will nothing waste till you return.

ORLANDO.

I thank ye; and be blest for your good comfort!

Exit

DUKE SENIOR. Thou seest we are not all alone unhappy:

This wide and universal theatre

Presents more woeful pageants than the scene

Wherein we play in.

JAQUES.

All the world's a stage,

And all the men and women merely players;

They have their exits and their entrances;

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse's arms;

Then the whining school-boy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress' eyebrow. Then a soldier,

Full of strange oaths, and bearded like the pard,

Jealous in honour, sudden and quick in quarrel,

Seeking the bubble reputation

Even in the cannon's mouth. And then the justice,

In fair round belly with good capon lin'd,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixth age shifts

Into the lean and slipper'd pantaloon,

With spectacles on nose and pouch on side,

His youthful hose, well sav'd, a world too wide

For his shrunk shank; and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion;

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