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ACT I. SCENE 3. Rousillon. The COUNT'S palace

ACT II. SCENE 1. Paris. The KING'S palace

ACT II. SCENE 2. Rousillon. The COUNT'S palace

ACT II. SCENE 3. Paris. The KING'S palace

ACT II. SCENE 4. Paris. The KING'S palace

ACT II. SCENE 5. Paris. The KING'S palace

ACT III. SCENE 1. Florence. The DUKE's palace

ACT III. SCENE 2. Rousillon. The COUNT'S palace

ACT III. SCENE 3. Florence. Before the DUKE's palace

ACT III. SCENE 4. Rousillon. The COUNT'S palace

ACT III. SCENE 5.

ACT III. SCENE 6. Camp before Florence

ACT III. SCENE 7. Florence. The WIDOW'S house

ACT IV. SCENE 1. Without the Florentine camp

ACT IV. SCENE 2. Florence. The WIDOW'S house

ACT IV. SCENE 3. The Florentine camp

ACT IV SCENE 4. The WIDOW'S house

ACT IV SCENE 5. Rousillon. The COUNT'S palace

ACT V. SCENE 1. Marseilles. A street

ACT V SCENE 2. Rousillon. The inner court of the COUNT'S palace

ACT V SCENE 3. Rousillon. The COUNT'S palace

DRAMATIS PERSONAE

KING OF FRANCE

THE DUKE OF FLORENCE

BERTRAM, Count of Rousillon

LAFEU, an old lord

PAROLLES, a follower of Bertram

TWO FRENCH LORDS, serving with Bertram

STEWARD, Servant to the Countess of Rousillon

LAVACHE, a clown and Servant to the Countess of Rousillon

A PAGE, Servant to the Countess of Rousillon

COUNTESS OF ROUSILLON, mother to Bertram

HELENA, a gentlewoman protected by the Countess

A WIDOW OF FLORENCE.

DIANA, daughter to the Widow

VIOLENTA, neighbour and friend to the Widow

MARIANA, neighbour and friend to the Widow

Lords, Officers, Soldiers, etc., French and Florentine

SCENE: Rousillon; Paris; Florence; Marseilles

ACT I. SCENE 1. Rousillon. The COUNT'S palace

Enter BERTRAM, the COUNTESS OF ROUSILLON, HELENA, and LAFEU, all in black

COUNTESS.

In delivering my son from me, I bury a second husband.

BERTRAM.

And I in going, madam, weep o'er my father's death anew;

but I must attend his Majesty's command, to whom I am now in

ward, evermore in subjection.

LAFEU.

You shall find of the King a husband, madam; you, sir, a

father. He that so generally is at all times good must of

necessity hold his virtue to you, whose worthiness would stir it

up where it wanted, rather than lack it where there is such abundance.

COUNTESS.

What hope is there of his Majesty's amendment?

LAFEU.

He hath abandon'd his physicians, madam; under whose

practices he hath persecuted time with hope, and finds no other

advantage in the process but only the losing of hope by time.

COUNTESS.

This young gentlewoman had a father- O, that 'had,' how

sad a passage 'tis!-whose skill was almost as great as his

honesty; had it stretch'd so far, would have made nature

immortal, and death should have play for lack of work. Would, for

the King's sake, he were living! I think it would be the death of

the King's disease.

LAFEU.

How call'd you the man you speak of, madam?

COUNTESS.

He was famous, sir, in his profession, and it was his

great right to be so- Gerard de Narbon.

LAFEU.

He was excellent indeed, madam; the King very lately spoke

of him admiringly and mourningly; he was skilful enough to have

liv'd still, if knowledge could be set up against mortality.

BERTRAM.

What is it, my good lord, the King languishes of?

LAFEU.

A fistula, my lord.

BERTRAM.

I heard not of it before.

LAFEU.

I would it were not notorious. Was this gentlewoman the

daughter of Gerard de Narbon?

COUNTESS.

His sole child, my lord, and bequeathed to my

overlooking. I have those hopes of her good that her education

promises; her dispositions she inherits, which makes fair gifts

fairer; for where an unclean mind carries virtuous qualities,

there commendations go with pity-they are virtues and traitors

too. In her they are the better for their simpleness; she derives

her honesty, and achieves her goodness.

LAFEU.

Your commendations, madam, get from her tears.

COUNTESS.

'Tis the best brine a maiden can season her praise in.

The remembrance of her father never approaches her heart but the

tyranny of her sorrows takes