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The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [871]

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suspected- framed to make women false.

The Moor is of a free and open nature,

That thinks men honest that but seem to be so,

And will as tenderly be led by the nose

As asses are.

I have't. It is engender'd. Hell and night

Must bring this monstrous birth to the world's light.

Exit.

ACT II. SCENE I. A seaport in Cyprus. An open place near the quay.

Enter Montano and two Gentlemen.

MONTANO. What from the cape can you discern at sea?

FIRST GENTLEMAN.

Nothing at all. It is a high-wrought flood;

I cannot, 'twixt the heaven and the main,

Descry a sail.

MONTANO.

Methinks the wind hath spoke aloud at land;

A fuller blast ne'er shook our battlements.

If it hath ruffian'd so upon the sea,

What ribs of oak, when mountains melt on them,

Can hold the mortise? What shall we hear of this?

SECOND GENTLEMAN.

A segregation of the Turkish fleet.

For do but stand upon the foaming shore,

The chidden billow seems to pelt the clouds;

The wind-shaked surge, with high and monstrous mane,

Seems to cast water on the burning bear,

And quench the guards of the ever-fixed pole.

I never did like molestation view

On the enchafed flood.

MONTANO.

If that the Turkish fleet

Be not enshelter'd and embay'd, they are drown'd;

It is impossible to bear it out.

Enter a third Gentleman.

THIRD GENTLEMAN. News, lads! Our wars are done.

The desperate tempest hath so bang'd the Turks,

That their designment halts. A noble ship of Venice

Hath seen a grievous wreck and sufferance

On most part of their fleet.

MONTANO.

How? Is this true?

THIRD GENTLEMAN.

The ship is here put in,

A Veronesa. Michael Cassio,

Lieutenant to the warlike Moor, Othello,

Is come on shore; the Moor himself at sea,

And is in full commission here for Cyprus.

MONTANO.

I am glad on't; 'tis a worthy governor.

THIRD GENTLEMAN.

But this same Cassio, though he speak of comfort

Touching the Turkish loss, yet he looks sadly

And prays the Moor be safe; for they were parted

With foul and violent tempest.

MONTANO.

Pray heavens he be,

For I have served him, and the man commands

Like a full soldier. Let's to the seaside, ho!

As well to see the vessel that's come in

As to throw out our eyes for brave Othello,

Even till we make the main and the aerial blue

An indistinct regard.

THIRD GENTLEMAN.

Come, let's do so,

For every minute is expectancy

Of more arrivance.

Enter Cassio.

CASSIO. Thanks, you the valiant of this warlike isle,

That so approve the Moor! O, let the heavens

Give him defense against the elements,

For I have lost him on a dangerous sea.

MONTANO.

I she well shipp'd?

CASSIO.

His bark is stoutly timber'd, and his pilot

Of very expert and approved allowance;

Therefore my hopes, not surfeited to death,

Stand in bold cure.

A cry within, "A sail, a sail, a

sail!"

Enter a fourth Gentleman.

What noise?

FOURTH GENTLEMAN.

The town is empty; on the brow o' the sea

Stand ranks of people, and they cry, "A sail!"

CASSIO.

My hopes do shape him for the governor.

Guns heard.

SECOND GENTLEMAN.

They do discharge their shot of courtesy-

Our friends at least.

CASSIO.

I pray you, sir, go forth,

And give us truth who 'tis that is arrived.

SECOND GENTLEMAN.

I shall.

Exit.

MONTANO.

But, good lieutenant, is your general wived?

CASSIO.

Most fortunately: he hath achieved a maid

That paragons description and wild fame,

One that excels the quirks of blazoning pens,

And in the essential vesture of creation

Does tire the ingener.

Re-enter second Gentleman.

How now! who has put in?

SECOND GENTLEMAN.

'Tis one Iago, ancient to the general.

CASSIO.

He has had most favorable and happy speed:

Tempests themselves, high seas, and howling winds,

The gutter'd rocks, and congregated sands,

Traitors ensteep'd to clog the guiltless keel,

As having sense of beauty, do omit

Their mortal natures, letting go safely by

The divine Desdemona.

MONTANO.

What is she?

CASSIO.

She that I spake of, our great captain's captain,

Left in the conduct of the bold Iago,

Whose footing

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