The Conflict [11]
dear--don't say that-- don't use such an expression. I know it's your way of joking. But lots of people would think you didn't know any better.''
``Let 'em think,'' said Jane. ``I say and do as I please.''
Martha sighed. Here was one member of her family who could be a credit, who could make people forget the unquestionably common origin of the Hastingses and of the Morleys. Yet this member was always breaking out into something mortifying, something reminiscent of the farm and of the livery stable--for the deceased Mrs. Hastings had been daughter of a livery stable keeper--in fact, had caught Martin Hastings by the way she rode her father's horses at a sale at a county fair. Said Martha:
``You haven't really looked at my clothes, Jane. Why DID you go back to calling yourself Jane?''
``Because it's my name,'' replied her sister.
``I know that. But you hated it and changed it to Jeanne, which is so much prettier.''
``I don't think so any more,'' replied Miss Hastings. ``My taste has improved. Don't be so horribly middle class, Martha--ashamed of everything simple and natural.''
``You think you know it all--don't you?--just because you've lived abroad,'' said Martha peevishly.
``On the contrary, I don't know one-tenth as much as I thought I did, when I came back from Wellesley with a diploma.''
``Do you like my costume?'' inquired Martha, eying her finery with the fond yet dubious expression of the woman who likes her own taste but is not sure about its being good taste.
``What a lazy, worthless pair we are!'' exclaimed Jane, hitting her boot leg a tremendous rap with her little cane.
Martha startled. ``Good God--Jane--what is it?'' she cried.
``On the way here I passed a lot of factories,'' pursued Jane. ``Why should those people have to work like--like the devil, while we sit about planning ball dresses?''
Martha settled back comfortably. ``I feel so sorry for those poor people,'' said she, absently sympathetic.
``But why?'' demanded Jane. ``WHY? Why should we be allowed to idle while they have to slave? What have we done--what are we doing--to entitle us to ease? What have they done to condemn them to pain and toil?''
``You know very well, Jane, that we represent the finer side of life.''
``Slop!'' ejaculated Jane.
``For pity's sake, don't let's talk politics,'' wailed Martha. ``I know nothing about politics. I haven't any brains for that sort of thing.''
``Is that politics?'' inquired Jane. ``I thought politics meant whether the Democrats or the Republicans or the reformers were to get the offices and the chance to steal.''
``Everything's politics, nowadays,'' said Martha, comparing the color of the material of her dress with the color of her fat white arm. ``As Hugo says, that Victor Dorn is dragging everything into politics--even our private business of how we make and spend our own money.''
Jane sat down abruptly. ``Victor Dorn,'' she said in a strange voice. ``WHO is Victor Dorn? WHAT is Victor Dorn? It seems that I can hear of nothing but Victor Dorn to-day.''
``He's too low to talk about,'' said Martha, amiable and absent.
``Why?''
``Politics,'' replied Martha. ``Really, he is horrid, Jane.''
``To look at?''
``No--not to look at. He's handsome in a way. Not at all common looking. You might take him for a gentleman, if you didn't know.
Still--he always dresses peculiarly--always wears soft hats. I think soft hats are SO vulgar--don't you?''
``How hopelessly middle-class you are, Martha,'' mocked Jane.
``Hugo would as soon think of going in the street in a--in a--I don't know what.''
``Hugo is the finest flower of American gentleman. That is, he's the quintessence of everything that's nice --and `nasty.' I wish I were married to him for a week. I love Hugo, but he gives me the creeps.'' She rose and tramped restlessly about the room. ``You both give me the creeps. Everything conventional gives me the creeps. If I'm not careful I'll dress myself in a long shirt, let down my hair and run wild.''
``Let 'em think,'' said Jane. ``I say and do as I please.''
Martha sighed. Here was one member of her family who could be a credit, who could make people forget the unquestionably common origin of the Hastingses and of the Morleys. Yet this member was always breaking out into something mortifying, something reminiscent of the farm and of the livery stable--for the deceased Mrs. Hastings had been daughter of a livery stable keeper--in fact, had caught Martin Hastings by the way she rode her father's horses at a sale at a county fair. Said Martha:
``You haven't really looked at my clothes, Jane. Why DID you go back to calling yourself Jane?''
``Because it's my name,'' replied her sister.
``I know that. But you hated it and changed it to Jeanne, which is so much prettier.''
``I don't think so any more,'' replied Miss Hastings. ``My taste has improved. Don't be so horribly middle class, Martha--ashamed of everything simple and natural.''
``You think you know it all--don't you?--just because you've lived abroad,'' said Martha peevishly.
``On the contrary, I don't know one-tenth as much as I thought I did, when I came back from Wellesley with a diploma.''
``Do you like my costume?'' inquired Martha, eying her finery with the fond yet dubious expression of the woman who likes her own taste but is not sure about its being good taste.
``What a lazy, worthless pair we are!'' exclaimed Jane, hitting her boot leg a tremendous rap with her little cane.
Martha startled. ``Good God--Jane--what is it?'' she cried.
``On the way here I passed a lot of factories,'' pursued Jane. ``Why should those people have to work like--like the devil, while we sit about planning ball dresses?''
Martha settled back comfortably. ``I feel so sorry for those poor people,'' said she, absently sympathetic.
``But why?'' demanded Jane. ``WHY? Why should we be allowed to idle while they have to slave? What have we done--what are we doing--to entitle us to ease? What have they done to condemn them to pain and toil?''
``You know very well, Jane, that we represent the finer side of life.''
``Slop!'' ejaculated Jane.
``For pity's sake, don't let's talk politics,'' wailed Martha. ``I know nothing about politics. I haven't any brains for that sort of thing.''
``Is that politics?'' inquired Jane. ``I thought politics meant whether the Democrats or the Republicans or the reformers were to get the offices and the chance to steal.''
``Everything's politics, nowadays,'' said Martha, comparing the color of the material of her dress with the color of her fat white arm. ``As Hugo says, that Victor Dorn is dragging everything into politics--even our private business of how we make and spend our own money.''
Jane sat down abruptly. ``Victor Dorn,'' she said in a strange voice. ``WHO is Victor Dorn? WHAT is Victor Dorn? It seems that I can hear of nothing but Victor Dorn to-day.''
``He's too low to talk about,'' said Martha, amiable and absent.
``Why?''
``Politics,'' replied Martha. ``Really, he is horrid, Jane.''
``To look at?''
``No--not to look at. He's handsome in a way. Not at all common looking. You might take him for a gentleman, if you didn't know.
Still--he always dresses peculiarly--always wears soft hats. I think soft hats are SO vulgar--don't you?''
``How hopelessly middle-class you are, Martha,'' mocked Jane.
``Hugo would as soon think of going in the street in a--in a--I don't know what.''
``Hugo is the finest flower of American gentleman. That is, he's the quintessence of everything that's nice --and `nasty.' I wish I were married to him for a week. I love Hugo, but he gives me the creeps.'' She rose and tramped restlessly about the room. ``You both give me the creeps. Everything conventional gives me the creeps. If I'm not careful I'll dress myself in a long shirt, let down my hair and run wild.''