The Conflict [20]
pictures --lithographs, cheap, not framed, held in place by a tack at each corner. There was Washington--then Lincoln--then a copy of Leonardo's Jesus in the Last Supper fresco--and a fourth face, bearded, powerful, imperious, yet wonderfully kind and good humored-- a face she did not know. Pointing her riding stick at it she said:
``And who is that?''
With a quick but not in the least a startled movement the girl at the table straightened her form, turned in her chair, saying, as she did so, without having seen the pointing stick:
``That is Marx--Karl Marx.''
Jane was so astonished by the face she was now seeing--the face of the girl--that she did not hear the reply. The girl's hair and skin had reminded her of what Martha had told her about the Jewish, or half-Jewish, origin of Selma Gordon. Thus, she assumed that she would see a frankly Jewish face. Instead, the face looking at her from beneath the wealth of thick black hair, carelessly parted near the centre, was Russian--was Cossack--strange and primeval, intense, dark, as superbly alive as one of those exuberant tropical flowers that seem to cry out the mad joy of life. Only, those flowers suggest the evanescent, the flame burning so fiercely that it must soon burn out, while this Russian girl declared that life was eternal. You could not think of her as sick, as old, as anything but young and vigorous and vivid, as full of energy as a healthy baby that kicks its dresses into rags and wears out the strength of its strapping nurse. Her nose was as straight as Jane's own particularly fine example of nose. Her dark gray eyes, beneath long, slender, coal black lines of brow, were brimming with life and with fun. She had a wide, frank, scarlet mouth; her teeth were small and sharp and regular, and of the strong and healthy shade of white. She had a very small, but a very resolute chin. With another quick, free movement she stood up. She was indeed small, but formed in proportion. She seemed out of harmony with her linen dress. She looked as if she ought to be careening on the steppes in some romantic, half-savage costume. Jane's first and instant thought was, ``There's not another like her in the whole world. She's the only living specimen of her kind.''
``Gracious!'' exclaimed Jane. ``But you ARE healthy.''
The smile took full advantage of the opportunity to broaden into a laugh. A most flattering expression of frank, childlike admiration came into the dark gray eyes. ``You're not sickly, yourself,'' replied Selma. Jane was disappointed that the voice was not untamed Cossack, but was musically civilized.
``Yes, but I don't flaunt it as you do,'' rejoined Jane. ``You'd make anyone who was the least bit off, furious.''
Selma, still with the child-like expression, but now one of curiosity, was examining Jane's masculine riding dress. ``What a sensible suit!'' she cried, delightedly. ``I'd wear something like that all the time, if I dared.''
``Dared?'' said Jane. ``You don't look like the frightened sort.''
``Not on account of myself,'' explained Selma. ``On account of the cause. You see, we are fighting for a new idea. So, we have to be careful not to offend people's prejudices about ideas not so important. If we went in for everything that's sensible, we'd be regarded as cranks. One thing at a time.''
Jane's glance shifted to the fourth picture. ``Didn't you say that was--Karl Marx?''
``Yes.''
``He wrote a book on political economy. I tried to read it at college. But I couldn't. It was too heavy for me. He was a Socialist--wasn't he?--the founder of Socialism?''
``A great deal more than that,'' replied Selma. ``He was the most important man for human liberty that ever lived--except perhaps one.'' And she looked at Leonardo's ``man of sorrows and acquainted with grief.''
``Marx was a--a Hebrew--wasn't he?''
Selma's eyes danced, and Jane felt that she was laughing at her hesitation and choice of the softer word. Selma said:
``Yes--he was a Jew. Both were Jews.''
``Both?'' inquired
``And who is that?''
With a quick but not in the least a startled movement the girl at the table straightened her form, turned in her chair, saying, as she did so, without having seen the pointing stick:
``That is Marx--Karl Marx.''
Jane was so astonished by the face she was now seeing--the face of the girl--that she did not hear the reply. The girl's hair and skin had reminded her of what Martha had told her about the Jewish, or half-Jewish, origin of Selma Gordon. Thus, she assumed that she would see a frankly Jewish face. Instead, the face looking at her from beneath the wealth of thick black hair, carelessly parted near the centre, was Russian--was Cossack--strange and primeval, intense, dark, as superbly alive as one of those exuberant tropical flowers that seem to cry out the mad joy of life. Only, those flowers suggest the evanescent, the flame burning so fiercely that it must soon burn out, while this Russian girl declared that life was eternal. You could not think of her as sick, as old, as anything but young and vigorous and vivid, as full of energy as a healthy baby that kicks its dresses into rags and wears out the strength of its strapping nurse. Her nose was as straight as Jane's own particularly fine example of nose. Her dark gray eyes, beneath long, slender, coal black lines of brow, were brimming with life and with fun. She had a wide, frank, scarlet mouth; her teeth were small and sharp and regular, and of the strong and healthy shade of white. She had a very small, but a very resolute chin. With another quick, free movement she stood up. She was indeed small, but formed in proportion. She seemed out of harmony with her linen dress. She looked as if she ought to be careening on the steppes in some romantic, half-savage costume. Jane's first and instant thought was, ``There's not another like her in the whole world. She's the only living specimen of her kind.''
``Gracious!'' exclaimed Jane. ``But you ARE healthy.''
The smile took full advantage of the opportunity to broaden into a laugh. A most flattering expression of frank, childlike admiration came into the dark gray eyes. ``You're not sickly, yourself,'' replied Selma. Jane was disappointed that the voice was not untamed Cossack, but was musically civilized.
``Yes, but I don't flaunt it as you do,'' rejoined Jane. ``You'd make anyone who was the least bit off, furious.''
Selma, still with the child-like expression, but now one of curiosity, was examining Jane's masculine riding dress. ``What a sensible suit!'' she cried, delightedly. ``I'd wear something like that all the time, if I dared.''
``Dared?'' said Jane. ``You don't look like the frightened sort.''
``Not on account of myself,'' explained Selma. ``On account of the cause. You see, we are fighting for a new idea. So, we have to be careful not to offend people's prejudices about ideas not so important. If we went in for everything that's sensible, we'd be regarded as cranks. One thing at a time.''
Jane's glance shifted to the fourth picture. ``Didn't you say that was--Karl Marx?''
``Yes.''
``He wrote a book on political economy. I tried to read it at college. But I couldn't. It was too heavy for me. He was a Socialist--wasn't he?--the founder of Socialism?''
``A great deal more than that,'' replied Selma. ``He was the most important man for human liberty that ever lived--except perhaps one.'' And she looked at Leonardo's ``man of sorrows and acquainted with grief.''
``Marx was a--a Hebrew--wasn't he?''
Selma's eyes danced, and Jane felt that she was laughing at her hesitation and choice of the softer word. Selma said:
``Yes--he was a Jew. Both were Jews.''
``Both?'' inquired