The Copy-Cat [45]
Lucy in this peace and stillness was not hav- ing her share of childhood. When other little girls came to play with her. Miss Martha enjoined quiet, and even Lily Jennings's bird-like chattering be- came subdued. It was only at school that Lucy got her chance for the irresponsible delight which was the simple right of her childhood, and there her zeal for her lessons prevented. She was happy at school, however, for there she lived in an atmos- phere of demonstrative affection. The teachers were given to seizing her in fond arms and caress- ing her, and so were her girl companions; while the boys, especially Jim Patterson, looked wistful- ly on. Jim Patterson was in love, a charming little poetical boy-love; but it was love. Everything which he did in those days was with the thought of little Lucy for incentive. He stood better in school than he had ever done before, but it was all for the sake of little Lucy. Jim Patterson had one talent, rather rudimentary, still a talent. He could play by ear. His father owned an old violin. He had been in- clined to music in early youth, and Jim got per- mission to practise on it, and he went by himself in the hot attic and practised. Jim's mother did not care for music, and her son's preliminary scra- ping tortured her. Jim tucked the old fiddle under one round boy-cheek and played in the hot attic, with wasps buzzing around him; and he spent his pennies for catgut, and he learned to mend fiddle- strings; and finally came a proud Wednesday after- noon when there were visitors in Madame's school, and he stood on the platform, with Miss Acton playing an accompaniment on the baby grand piano, and he managed a feeble but true tune on his violin. It was all for little Lucy, but little Lucy cared no more for music than his mother; and while Jim was playing she was rehearsing in the depths of her mind the little poem which later she was to recite; for this adorable little Lucy was, as a matter of course, to figure in the entertainment. It therefore happened that she heard not one note of Jim Patterson's pain- fully executed piece, for she was saying to herself in mental singsong a foolish little poem, beginning: There was one little flower that bloomed Beside a cottage door. When she went forward, little darling blue-clad figure, there was a murmur of admiration; and when she made mistakes straight through the poem, saying, There was a little flower that fell On my aunt Martha's floor, for beginning, there was a roar of tender laughter and a clapping of tender, maternal hands, and every- body wanted to catch hold of little Lucy and kiss her. It was one of the irresistible charms of this child that people loved her the more for her mistakes, and she made many, although she tried so very hard to avoid them. Little Lucy was not in the least brilliant, but she held love like a precious vase, and it gave out perfume better than mere knowledge. Jim Patterson was so deeply in love with her when he went home that night that he confessed to his mother. Mrs. Patterson had led up to the subject by alluding to little Lucy while at the dinner-table. "Edward," she said to her husband -- both she and the rector had been present at Madame's school entertainment and the tea-drinking afterward -- "did you ever see in all your life such a darling little girl as the new cashier's daughter? She quite makes up for Miss Martha, who sat here one solid hour, hold- ing her card-case, waiting for me to talk to her. That child is simply delicious, and I was so glad she made mistakes." "Yes, she is a charming child," assented the rector, "despite the fact that she is not a beauty, hardly even pretty." "I know it," said Mrs. Patterson, "but she has the worth of beauty." Jim was quite pale while his father and mother were talking. He swallowed the hot soup so fast that it burnt his tongue. Then he turned very red, but nobody noticed him. When his mother came up-stairs to kiss him good night he told her. "Mother," said he, "I have something to tell you." "All right, Jim," replied Sally