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The Count of Monte Cristo - Alexandre Dumas [378]

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"you are always complaining that Eugenie will not address a word to you."

"Madame," said Lucien, playing with a little dog, who, recognizing him as a friend of the house, expected to be caressed, "I am not the only one who makes similar complaints, I think I heard Morcerf say that he could not extract a word from his betrothed."

"True," said Madame Danglars; "yet I think this will all pass off, and that you will one day see her enter your study."

"My study?"

"At least that of the minister."

"Why so!"

"To ask for an engagement at the Opera. Really, I never saw such an infatuation for music; it is quite ridiculous for a young lady of fashion." Debray smiled. "Well," said he, "let her come, with your consent and that of the baron, and we will try and give her an engagement, though we are very poor to pay such talent as hers."

"Go, Cornelie," said Madame Danglars, "I do not require you any longer."

Cornelie obeyed, and the next minute Madame Danglars left her room in a charming loose dress, and came and sat down close to Debray. Then she began thoughtfully to caress the little spaniel. Lucien looked at her for a moment in silence. "Come, Hermine," he said, after a short time, "answer candidly,—something vexes you—is it not so?"

"Nothing," answered the baroness.

And yet, as she could scarcely breathe, she rose and went towards a looking–glass. "I am frightful to–night," she said. Debray rose, smiling, and was about to contradict the baroness upon this latter point, when the door opened suddenly. M. Danglars appeared; Debray reseated himself. At the noise of the door Madame Danglars turned round, and looked upon her husband with an astonishment she took no trouble to conceal. "Good–evening, madame," said the banker; "good–evening, M. Debray."

Probably the baroness thought this unexpected visit signified a desire to make up for the sharp words he had uttered during the day. Assuming a dignified air, she turned round to Debray, without answering her husband. "Read me something, M. Debray," she said. Debray, who was slightly disturbed at this visit, recovered himself when he saw the calmness of the baroness, and took up a book marked by a mother–of–pearl knife inlaid with gold. "Excuse me," said the banker, "but you will tire yourself, baroness, by such late hours, and M. Debray lives some distance from here."

Debray was petrified, not only to hear Danglars speak so calmly and politely, but because it was apparent that beneath outward politeness there really lurked a determined spirit of opposition to anything his wife might wish to do. The baroness was also surprised, and showed her astonishment by a look which would doubtless have had some effect upon her husband if he had not been intently occupied with the paper, where he was looking to see the closing stock quotations. The result was, that the proud look entirely failed of its purpose.

"M. Lucien," said the baroness, "I assure you I have no desire to sleep, and that I have a thousand things to tell you this evening, which you must listen to, even though you slept while hearing me."

"I am at your service, madame," replied Lucien coldly.

"My dear M. Debray," said the banker, "do not kill yourself to–night listening to the follies of Madame Danglars, for you can hear them as well to–morrow; but I claim to–night and will devote it, if you will allow me, to talk over some serious matters with my wife." This time the blow was so well aimed, and hit so directly, that Lucien and the baroness were staggered, and they interrogated each other with their eyes, as if to seek help against this aggression, but the irresistible will of the master of the house prevailed, and the husband was victorious.

"Do not think I wish to turn you out, my dear Debray," continued Danglars; "oh, no, not at all. An unexpected occurrence forces me to ask my wife to have a little conversation with me; it is so rarely I make such a request, I am sure you cannot grudge it to me." Debray muttered something, bowed and went out, knocking himself against the edge of the door, like Nathan in "Athalie."

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