The Count's Millions [46]
those "Reunions in High Life" which the newspapers describe in such glowing terms.
Madame Ferailleur was playing a game of whist with a party of old friends, according to her custom every Thursday evening, when M. de Coralth called to invite the young advocate to accompany him to Madame d'Argeles's reception. Pascal considered his friend's invitation exceedingly well timed. He dressed himself with more than ordinary care, and, as usual before going out, he approached his mother to kiss her and wish her good-bye. "How fine you are!" she said, smiling.
"I am going to a soiree, my dear mother," he replied; "and it is probable that I shall not return until very late. So don't wait for me, I beg of you; promise me to go to bed at your usual hour."
"Have you the night-key?"
"Yes."
"Very well, then; I will not wait for you. When you come in you will find your candle and some matches on the buffet in the ante- room. And wrap yourself up well, for it is very cold." Then raising her forehead to her son's lips, she gayly added: "A pleasant evening to you, my boy!"
Faithful to her promise, Madame Ferailleur retired at the usual hour; but she could not sleep. She certainly had no cause for anxiety, and yet the thought that her son was not at home filled her heart with vague misgivings such as she had never previously felt under similar circumstances. Possibly it was because she did not know where Pascal was going. Possibly M. de Coralth was the cause of her strange disquietude, for she utterly disliked the viscount. Her woman's instinct warned her that there was something unwholesome about this young man's peculiar handsomeness, and that it was not safe to trust to his professions of friendship. At all events, she lay awake and heard the clock of the neighboring Normal School strike each successive hour--two, three, and four. "How late Pascal stays," she said to herself.
And suddenly a fear more poignant even than her presentiments darted through her mind. She sprang out of bed and rushed to the window. She fancied she had heard a terrible cry of distress in the deserted street. At that very moment, the insulting word "thief" was being hurled in her son's face. But the street was silent, and deciding that she had been mistaken, she went back to bed laughing at herself for her fears; and at last she fell asleep. But judge of her terror in the morning when, on rising to let the servant in, she saw Pascal's candle still standing on the buffet. Was it possible that he had not returned? She hastened to his room--he was not there. And it was nearly eight o'clock.
This was the first time that Pascal had spent a night from home without warning his mother in advance; and such an act on the part of a man of his character was sufficient proof that something extraordinary had occurred. In an instant all the dangers that lurk in Paris after nightfall flashed through her mind. She remembered all the stories she had read of men decoyed into dark corners, of men stabbed at the turn of some deserted street, or thrown into the Seine while crossing one of the bridges. What should she do? Her first impulse was to run to the Commissary of Police's office or to the house of Pascal's friend; but on the other hand, she dared not go out, for fear he might return in her absence. Thus, in an agony of suspense, she waited--counting the seconds by the quick throbbings of her temples, and straining her ears to catch the slightest sound.
At last, about half-past eight o'clock, she heard a heavy, uncertain footfall on the stairs. She flew to the door and beheld her son. His clothes were torn and disordered; his cravat was missing, he wore no overcoat, and he was bareheaded. He looked very pale, and his teeth were chattering. His eyes stared vacantly, and his features had an almost idiotic expression. "Pascal, what has happened to you?" she asked.
He trembled from head to foot as the sound of her voice suddenly roused him from his stupor. "Nothing," he stammered; "nothing at all." And as his mother pressed him
Madame Ferailleur was playing a game of whist with a party of old friends, according to her custom every Thursday evening, when M. de Coralth called to invite the young advocate to accompany him to Madame d'Argeles's reception. Pascal considered his friend's invitation exceedingly well timed. He dressed himself with more than ordinary care, and, as usual before going out, he approached his mother to kiss her and wish her good-bye. "How fine you are!" she said, smiling.
"I am going to a soiree, my dear mother," he replied; "and it is probable that I shall not return until very late. So don't wait for me, I beg of you; promise me to go to bed at your usual hour."
"Have you the night-key?"
"Yes."
"Very well, then; I will not wait for you. When you come in you will find your candle and some matches on the buffet in the ante- room. And wrap yourself up well, for it is very cold." Then raising her forehead to her son's lips, she gayly added: "A pleasant evening to you, my boy!"
Faithful to her promise, Madame Ferailleur retired at the usual hour; but she could not sleep. She certainly had no cause for anxiety, and yet the thought that her son was not at home filled her heart with vague misgivings such as she had never previously felt under similar circumstances. Possibly it was because she did not know where Pascal was going. Possibly M. de Coralth was the cause of her strange disquietude, for she utterly disliked the viscount. Her woman's instinct warned her that there was something unwholesome about this young man's peculiar handsomeness, and that it was not safe to trust to his professions of friendship. At all events, she lay awake and heard the clock of the neighboring Normal School strike each successive hour--two, three, and four. "How late Pascal stays," she said to herself.
And suddenly a fear more poignant even than her presentiments darted through her mind. She sprang out of bed and rushed to the window. She fancied she had heard a terrible cry of distress in the deserted street. At that very moment, the insulting word "thief" was being hurled in her son's face. But the street was silent, and deciding that she had been mistaken, she went back to bed laughing at herself for her fears; and at last she fell asleep. But judge of her terror in the morning when, on rising to let the servant in, she saw Pascal's candle still standing on the buffet. Was it possible that he had not returned? She hastened to his room--he was not there. And it was nearly eight o'clock.
This was the first time that Pascal had spent a night from home without warning his mother in advance; and such an act on the part of a man of his character was sufficient proof that something extraordinary had occurred. In an instant all the dangers that lurk in Paris after nightfall flashed through her mind. She remembered all the stories she had read of men decoyed into dark corners, of men stabbed at the turn of some deserted street, or thrown into the Seine while crossing one of the bridges. What should she do? Her first impulse was to run to the Commissary of Police's office or to the house of Pascal's friend; but on the other hand, she dared not go out, for fear he might return in her absence. Thus, in an agony of suspense, she waited--counting the seconds by the quick throbbings of her temples, and straining her ears to catch the slightest sound.
At last, about half-past eight o'clock, she heard a heavy, uncertain footfall on the stairs. She flew to the door and beheld her son. His clothes were torn and disordered; his cravat was missing, he wore no overcoat, and he was bareheaded. He looked very pale, and his teeth were chattering. His eyes stared vacantly, and his features had an almost idiotic expression. "Pascal, what has happened to you?" she asked.
He trembled from head to foot as the sound of her voice suddenly roused him from his stupor. "Nothing," he stammered; "nothing at all." And as his mother pressed him