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The Crime of Sylvestre Bonnard [10]

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an air of gravity that intimidates me, looks at me reproachfully, and seems to ask me whether there is any rest in this world, since he cannot enjoy it beside me, who am old also like himself.

In the sudden joy of my discovery, I need a confidant; and it is to the sceptic Hamilcar that I address myself with all the effusion of a happy man.

"No, Hamilcar! no," I said to him; "there is no rest in this world, and the quietude which you long for is incompatible with the duties of life. And you say that we are old, indeed! Listen to what I read in this catalogue, and then tell me whether this is a time to be reposing:

"'LA LEGENDE DOREE DE JACQUES DE VORAGINE;--trduction francaise du quatorzieme sicle, par le Clerc Alexandre.

"'Superb MS., ornamented with two miniatures, wonderfully executed, and in a perfect state of preservation:--one representing the Purification of the Virgin; the other the Coronation of Proserpine.

"'At the termination of the "Legende Doree" are the Legends of Saints Ferreol, Ferrution, Germain, and Droctoveus (xxxviij pp.) and the Miraculous Sepulture of Monsieur Saint-Germain d'Auxerre (xij pp.).

"'This rare manuscript, which formed part of the collection of Sir Thomas Raleigh, is now in the private study of Signor Michel-Angelo Polizzi, of Girgenti.'"

"You hear that, Hamilcar? The manuscript of the Clerk Alexander is in Sicily, at the house of Michel-Angelo Polizzi. Heaven grant he may be a friend of learned men! I am going to write him!"

Which I did forthwith. In my letter I requested Signor Polizzi to allow me to examine the manuscript of Clerk Alexander, stating on what grounds I ventured to consider myself worthy of so great a favour. I offered at the same time to put at his disposal several unpublished texts in my own possession, not devoid of interest. I begged him to favour me with a prompt reply, and below my signature I wrote down all my honorary titles.

"Monsieur! Monsieur! where are you running like that?" cried Therese, quite alarmed, coming down the stairs in pursuit of me, four steps at a time, with my hat in her hand.

"I am going to post a letter, Therese."

"Good God! is that a way to run out in the street, bareheaded, like a crazy man?"

"I am crazy, I know, Therese. But who is not? Give me my hat, quick!"

"And your gloves, Monsieur! and your umbrella!"

I had reached the bottom of the stairs, but still heard her protesting and lamenting.



October 10, 1859.


I awaited Signor Polizzi's reply with ill-contained impatience. I could not even remain quiet; I would make sudden nervous gestures-- open books and violently close them again. One day I happened to upset a book with my elbow--a volume of Moreri. Hamilcar, who was washing himself, suddenly stopped, and looked angrily at me, with his paw over his ear. Was this the tumultuous existence he must expect under my roof? Had there not been a tacit understanding between us that we should live a peaceful life? I had broken the covenant.

"My poor dear comrade," I made answer, "I am the victim of a violent passion, which agitates and masters me. The passions are enemies of peace and quiet, I acknowledge; but without them there would be no arts or industries in the world. Everybody would sleep naked on a dung-heap; and you would not be able, Hamilcar, to repose all day on a silken cushion, in the City of Books."

I expatiated no further to Hamilcar on the theory of the passions, however, because my housekeeper brought me a letter. It bore the postmark of Naples and read as follows:

"Most Illustrious Sir,--I do indeed possess that incomparable manuscript of the 'Golden Legend' which could not escape your keen observation. All-important reasons, however, forbid me, imperiously, tyrannically, to let the manuscript go out of my possession for a single day, for even a single minute. It will be a joy and pride for me to have you examine it in my humble home in Girgenti, which will be embellished and illuminated by your presence. It is with the most anxious expectation of
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