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The Crime of Sylvestre Bonnard [5]

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way; she stops--I think blushes a little--and holds out the little creature to me. The baby has a pretty wrinkle between wrist and arm, a pretty wrinkle about his neck, and all over him, from head to foot, the daintiest dimples laugh in his rosy flesh.

The mamma shows him to me with pride.

"Monsieur," she says, "don't you think he is very pretty--my little boy?"

She takes one tiny hand, lifts it to the child's own lips, and, drawing out the darling pink fingers again towards me, says,

"Baby, throw the gentleman a kiss."

Then, folding the little being in her arms, she flees away with the agility of a cat, and is lost to sight in a corridor which, judging by the odour, must lead to some kitchen.

I enter my own quarters.

"Therese, who can that young mother be whom I saw bareheaded on the stairs just now, with a pretty little boy?"

And Therese replies that it was Madame Coccoz.

I stare up at the ceiling, as if trying to obtain some further illumination. Therese then recalls to me the little book-peddler who tried to sell me almanacs last year, while his wife was lying in.

"And Coccoz himself?" I asked.

I was answered that I would never see him again. The poor little man had been laid away underground, without my knowledge, and, indeed, with the knowledge of very few people, on a short time after the happy delivery of Madame Coccoz. I leaned that his wife had been able to console herself: I did likewise.

"But, Therese," I asked, "has Madame Coccoz got everything she needs in that attic of hers?"

"You would be a great dupe, Monsieur," replied my housekeeper, "if you should bother yourself about that creature. They gave her notice to quit the attic when the roof was repaired. But she stays there yet--in spite of the proprietor, the agent, the concierge, and the bailiffs. I think she has bewitched every one of them. She will leave the attic when she pleases, Monsieur; but she is going to leave in her own carriage. Let me tell you that!"

Therese reflected for a moment; and then uttered these words:

"A pretty face is a curse from Heaven."

"Then I ought to thank Heaven for having spared me that curse. But here! put my hat and cane away. I am going to amuse myself with a few pages of Moreri. If I can trust my old fox-nose, we are going to have a nicely flavoured pullet for dinner. Look after that estimable fowl, my girl, and spare your neighbors, so that you and your old master may be spared by them in turn."

Having thus spoken, I proceeded to follow out the tufted ramifications of a princely genealogy.




May 7, 1851



I have passed the winter according to the ideal of the sages, in angello cum libello; and now the swallows of the Quai Malaquais find me on their return about as when they left me. He who lives little, changes little; and it is scarcely living at all to use up one's days over old texts.

Yet I feel myself to-day a little more deeply impregnated than ever before with that vague melancholy which life distils. The economy of my intelligence (I dare scarcely confess it to myself!) has remained disturbed ever since that momentous hour in which the existence of the manuscript of the Clerk Alexander was first revealed to me.

It is strange that I should have lost my rest simply on account of a few old sheets of parchment; but it is unquestionably true. The poor man who has no desires possesses the greatest of riches; he possesses himself. The rich man who desires something is only a wretched slave. I am just such a slave. The sweetest pleasures-- those of converse with some one of a delicate and well-balanced mind, or dining out with a friend--are insufficient to enable me to forget the manuscript which I know that I want, and have been wanting from the moment I knew of its existence. I feel the want of it by day and by night: I feel the want of it in all my joys and pains; I feel the want of it while at work or asleep.

I recall my desires as a child. How well I can now comprehend the intense wishes of my early years!

I can see once
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