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The Critique of Judgement [102]

By Root 770 0
be defined as the faculty of aesthetic ideas. This serves at the same time to point out the reason why it is nature (the nature of the individual) and not a set purpose, that in products of genius gives the rule to art (as the production of the beautiful). For the beautiful must not be estimated according to concepts, but by the final mode in which the imagination is attuned so as to accord with the faculty of concepts generally; and so rule and precept are incapable of serving as the requisite subjective standard for that aesthetic and unconditioned finality in fine art which has to make a warranted claim to being bound to please every one. Rather must such a standard be sought in the element of mere nature in the subject, which cannot be comprehended under rules or concepts, that is to say, the supersensible substrate of all the subject's faculties (unattainable by any concept of understanding), and consequently in that which forms the point of reference for the harmonious accord of all our faculties of cognition-the production of which accord is the ultimate end set by the intelligible basis of our nature. Thus alone is it possible for a subjective and yet universally valid principle a priori to lie at the basis of that finality for which no objective principle can be prescribed.

REMARK 2.

The following important observation here naturally presents itself: There are three kinds of antinomies of pure reason, which, however, all agree in forcing reason to abandon the otherwise very natural assumption which takes the objects of sense for things-in-themselves, and to regard them, instead, merely as phenomena, and to lay at their basis an intelligible substrate (something supersensible, the concept of which is only an idea and affords no proper knowledge). Apart from some such antinomy, reason could never bring itself to take such a step as-to adopt a principle so severely restricting the field of its speculation, and to submit to sacrifices involving the complete dissipation of so many otherwise brilliant hopes. For even now that it is recompensed for this loss by the prospect of a proportionately wider scope of action from a practical point of view, it is not without a pang of regret that it appears to part company with those hopes, and to break away from the old ties. The reason for there being three kinds of antinomies is to be found in the fact that there are three faculties of cognition, understanding, judgement, and reason, each of which, being a higher faculty of cognition, must have its a priori principles. For, so far as reason passes judgement upon these principles themselves and their employment, it inexorably requires the unconditioned for the given conditioned in respect of them all. This can never be found unless the sensible, instead of being regarded as inherently appurtenant to things-in-themselves, is treated as a mere phenomenon, and, as such, being made to rest upon something supersensible (the intelligible substrate of external and internal nature) as the thing-in-itself. There is then (1) for the cognitive faculty an antinomy of reason in respect of the theoretical employment of understanding carried to the point of the unconditioned; (2) for the feeling of pleasure and displeasure an antinomy of reason in respect of the aesthetic employment of judgement; (3) for the faculty Of desire an antinomy in respect of the practical employment of self-legislative reason. For all these faculties have their fundamental a priori principles, and, following an imperative demand of reason, must be able to judge and to determine their object unconditionally in accordance with these principles. As to two of the antinomies of these higher cognitive faculties, those, namely, of their theoretical and of their practical employment, we have already shown elsewhere both that they are inevitable, if no cognisance is taken in such judgements of a supersensible substrate of the given objects as phenomena, and, on the other hand, that they can be solved the moment this is done. Now, as to the
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