The Cruel Stars of the Night - Kjell Eriksson [48]
Mrs. Simonsson brought everything out, the guests ate and drank and became increasingly noisy. Laura was sitting between one of the Italians and a student from her father’s department. The student was as pale and timid as Laura, and ate cautiously. It looked as if he was having difficulties with Mrs. Simonsson’s food.
“Your father will become famous,” was the only thing he said to Laura during the entire dinner.
Laura didn’t know what that meant. She understood the word but not how this fame would affect her and her family. Famous, she thought, and imagined her father’s voice issuing from the radio in the living room and how he would appear on television.
She also did not understand where all the strange people had come from. There were never guests at the table and all of a sudden the room was bursting with unknown voices and laughter. Laura knew it had to do with the approaching fame.
She looked at her father. He spoke with food in his mouth, gesturing with the knife in his hand. He looked as if he wanted to stab his dinner guests. A spot of gravy on his shirt stood out like a flower. Laura saw how her mother watched him closely. But there was also an unusual expression around her mouth that could be interpreted as a faint smile.
Mrs. Simonsson carried out new tureens, dishes, and bottles. Everything disappeared at an incredible rate as if the guests were uncertain how long the hospitality would be extended. One of the biggest eaters sat directly across from Laura and she knew immediately who he was. Her father had talked about “The Horse,” a colleague in the department, who at present was shoveling in mounds of leek gratin, veal steak, and gravy with great relish.
After several mouthfuls “The Horse” interrupted himself, wiped his mouth on the napkin, struck his glass, and called for silence. His exhalations came intermittently across the table. As the speech progressed his pale cheeks were transformed. “Livores mortis” her father later called those glowing patches. “The Horse” continuously turned his knotted hands with veins like living worms under the blotchy skin, as if he wanted to strangle the linen napkin in his hand.
He began by describing the heights that Ulrik Hindersten had set his sights on and thereby started a path where only very few had been able to leave a mark. This got a rousing response, especially from Laura’s partner. He clapped and shouted something about the apt metaphor. Laura, who had been raised in the presence of Petrarch, figured that “The Horse” must have alluded to something in the writer’s work.
The speech was long. He talked about the meaning of obstinancy and her mother’s smile was extinguished. He talked about humility and several guests chortled. Even Ulrik smiled. “The Horse” spoke of Ulrik’s taking on Truth in single combat and now everyone laughed.
The student began to fidget when “The Horse” started in on the situation at the department. One of the Italians burped discreetly into his napkin. Someone tittered nervously. Mrs. Simonsson made an extra clattering noise with the dessert plates. Ulrik Hindersten’s colleague went on at full steam, apparently unaware of the reactions around him.
“There are powers,” he said, “that do not have the will nor the intellectual capacity to completely appreciate our host’s brilliant ability to shed light on Petrarch’s poetry. The contradictory elements of the medieval fourteenth-century mind . . . the complexity of man’s remorseful struggle for fusion with . . . for an understanding of . . . that Ulrik has already approached in a trailblazing manner in his dissertation . . . cannot be emphasized enough . . . with an envious pettiness the critics have