The crystal cave - Mary Stewart [9]
My clothes were kept in a wooden chest which stood against the wall. This was very old, with panels painted with scenes of gods and goddesses, and I think originally it had come from Rome itself. Now the paint was dirty and rubbed and flaking, but still on the lid you could see, like shadows, a scene taking place in what looked like a cave; there was a bull, and a man with a knife, and someone holding a sheaf of corn, and over in the corner some figure, rubbed almost away, with rays round his head like the sun, and a stick in his hand. The chest was lined with cedarwood, and Moravik washed my clothes herself, and laid them away with sweet herbs from the garden.
She threw the lid up now, so roughly that it banged against the wall, and pulled out the better of my two good tunics, the green one with the scarlet border. She shouted for water, and one of the maids brought it, running, and was scolded for spilling it on the floor.
The fat servant came panting again to tell us that we should hurry, and got snapped at for his pains, but in a very short time I was hustled once more along the colonnade, and through the big arched doorway into the main part of the house.
The hall where the King received visitors was a long, high room with a floor of black and white stone framing a mosaic of a god with a leopard. This had been badly scarred and broken by the dragging of heavy furniture and the constant passing of booted feet. One side of the room was open to the colonnade, and here in winter a fire was kindled on the bare floor, within a loose frame of stones. The floor and pillars near it were blackened with the smoke. At the far end of the room stood the dais with my grandfather's big chair, and beside it the smaller one for his Queen.
He was sitting there now, with Camlach standing on his right, and his wife, Olwen, seated at his left. She was his third wife, and younger than my mother, a dark, silent, rather stupid girl with a skin like new milk and braids down to her knees, who could sing like a bird, and do fine needlework, but very little else. My mother, I think, both liked and despised her. At any rate, against all expectation, they got along tolerably well together, and I had heard Moravik say that life for my mother had been a great deal easier since the King's second wife, Gwynneth, had died a year ago, and within the month Olwen had taken her place in the King's bed. Even if Olwen had cuffed me and sneered at me as Gwynneth did I should have liked her for her music, but she was always kind to me in her vague, placid way, and when the King was out of the way had taught me my notes, and even let me use her harp till I could play after a fashion. I had a feeling for it, she said, but we both knew what the King would say to such folly, so her kindness was secret, even from my mother.
She did not notice me now. Nobody did, except my cousin Dinias, who stood by Olwen's chair on the dais. Dinias was a bastard of my grandfather's by a slave-woman. He was a big boy of seven, with his father's red hair and high temper; he was strong for his age and quite fearless, and had enjoyed the King's favour since the day he had, at the age of five, stolen a ride on one of his father's horses, a wild brown colt that had bolted with him through the town and only got rid of him when he rode it straight at a breast-high bank. His father had thrashed him with his own hands, and afterwards given him a dagger with a gilded hilt. Dinias claimed the title of Prince -- at any rate among the rest of the children -- from then on, and treated his fellow-bastard, myself, with the utmost contempt. He stared at me now as expressionless as a stone, but his left hand -- the one away from his father -- made a rude sign, and then chopped silently, expressively, downwards.
I had paused in the doorway, and behind me my nurse's hand twitched my tunic into place and then gave me a push between the shoulder-blades. "Go on now. Straighten your back. He won't eat you." As if to give the lie to this, I heard the click of charms