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The Culture of Fear_ Why Americans Are Afraid of the Wrong Things - Barry Glassner [13]

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a less serious condition. Fewer are obese (a term that is less than objective itself), variously defined as 20 to 40 percent above ideal body weight as determined by current standards.42

Morality and Marketing

To blame the media is to oversimplify the complex role that journalists play as both proponents and doubters of popular fears. It is also to beg the same key issue that the millennium hypothesis evades: why particular anxieties take hold when they do. Why do news organizations and their audiences find themselves drawn to one hazard rather than another?

Mary Douglas, the eminent anthropologist who devoted much of her career to studying how people interpret risk, pointed out that every society has an almost infinite quantity of potential dangers from which to choose. Societies differ both in the types of dangers they select and the number. Dangers get selected for special emphasis, Douglas showed, either because they offend the basic moral principles of the society or because they enable criticism of disliked groups and institutions. In Risk and Culture, a book she wrote with Aaron Wildavsky, the authors give an example from fourteenth-century Europe. Impure water had been a health danger long before that time, but only after it became convenient to accuse Jews of poisoning the wells did people become preoccupied with it.

Or take a more recent institutional example. In the first half of the 1990s U.S. cities spent at least $10 billion to purge asbestos from public schools, even though removing asbestos from buildings posed a greater health hazard than leaving it in place. At a time when about one-third of the nation’s schools were in need of extensive repairs the money might have been spent to renovate dilapidated buildings. But hazards posed by seeping asbestos are morally repugnant. A product that was supposed to protect children from fires might be giving them cancer. By directing our worries and dollars at asbestos we express outrage at technology and industry run afoul.43

From a psychological point of view extreme fear and outrage are of ten projections. Consider, for example, the panic over violence against children. By failing to provide adequate education, nutrition, housing, parenting, medical services, and child care over the past couple of decades we have done the nation’s children immense harm. Yet we project our guilt onto a cavalcade of bogeypeople—pedophile preschool teachers, preteen mass murderers, and homicidal au pairs, to name only a few.44

When Debbie Nathan, a journalist, and Michael Snedeker, an attorney, researched the evidence behind publicized reports in the 1980s and early 1990s of children being ritually raped and tortured they learned that although seven out of ten Americans believed that satanic cults were committing these atrocities, few of the incidents had actually occurred. At the outset of each ritual-abuse case the children involved claimed they had not been molested. They later changed their tunes at the urging of parents and law enforcement authorities. The ghastly tales of abuse, it turns out, typically came from the parents themselves, usually the mothers, who had convinced themselves they were true. Nathan and Snedeker suggest that some of the mothers had been abused themselves and projected those horrors, which they had trouble facing directly, onto their children. Other mothers, who had not been victimized in those ways, used the figure of ritually abused children as a medium of protest against male dominance more generally. Allegations of children being raped allowed conventional wives and mothers to speak out against men and masculinity without having to fear they would seem unfeminine. “The larger culture,” Nathan and Snedeker note, “still required that women’s complaints about inequality and sexual violence be communicated through the innocent, mortified voice of the child.”

Diverse groups used the ritual-abuse scares to diverse ends. Well-known feminists such as Gloria Steinem and Catharine MacKinnon took up the cause, depicting ritually abused children as living

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