The Culture of Fear_ Why Americans Are Afraid of the Wrong Things - Barry Glassner [28]
Yet if anonymous Halloween sadists were fictitious creatures, they were useful diversions from some truly frightening realities, such as the fact that far more children are seriously injured and killed by family members than by strangers. Halloween sadists also served in news stories as evidence that particular social trends were having ill effects on the populace. A psychiatrist quoted in the New York Times article held that Halloween sadism was a by-product of “the permissiveness in today’s society.” The candy poisoner him- or herself was not directly to blame, the doctor suggested. The real villains were elsewhere. “The people who give harmful treats to children see criminals and students in campus riots getting away with things,” the Times quoted him, “so they think they can get away with it, too.”22
In many of these articles the choice of hero also suggests that other social issues are surreptitiously being discussed. At a time when divorce rates were high and rising, and women were leaving home in great numbers to take jobs, news stories heralded women who represented the antithesis of those trends—full-time housewives and employed moms who returned early from work to throw safe trick-or-treat parties for their children and their children’s friends in their homes or churches, or simply to escort their kids on their rounds and inspect the treats.23
Kiddie Porn and Cyberpredators
The Halloween tales were forerunners of what grew into a media staple of the last quarter of the twentieth century: crime stories in which innocent children fall victim to seemingly innocuous adults who are really perverts. The villains take several familiar forms, two of the more common being the child pornographer and his or her pedophile customers.
A report on NBC News in 1977 let it be known that “as many as two million American youngsters are involved in the fast-growing, multi-million dollar child-pornography business”—a statement that subsequent research by criminologists and law enforcement authorities determined to be wrong on every count. Kiddie porn probably grossed less than $1 million a year (in contrast to the multibillion dollar adult industry), and hundreds, not millions, of American children were involved. Once again, facts were beside the point. The child pornographer represented, as columnist Ellen Goodman observed at the time, an “unequivocal villain” whom reporters and readers found “refreshingly uncomplicated.” Unlike other pornographers, whose exploits raise tricky First Amendment issues, child pornographers made for good, simple, attention-grabbing copy.24
A conspicuous subtext in coverage during the late 1970s and 1980s was adult guilt and anxiety about the increasing tendency to turn over more of children’s care to strangers. Raymond Buckey and Peggy Buckey McMartin, proprietors of the McMartin Preschool in Manhattan Beach, California, were the most famous alleged child pornographers of the era. Their prosecution in the mid-1980s attracted a level of media hoopla unsurpassed until O. J. Simpson’s double-murder trial nearly a decade later, and from the start they were depicted as pedophiles and child pornographers. The local TV news reporter who first broke the McMartin story declared in his initial report that children had been “made to appear in pornographic films while in the preschool’s care.” The media later quoted officials from the district attorney’s office, making statements about “millions of child pornography photographs and films” at the school.25
Not a single pornographic photograph taken at the McMartin School has ever been produced, despite handsome offers of reward money and vast international