The Dark Half - Stephen King [32]
She was looking forward to this.
Clawson wasn't even on a low rung of a corporate—law ladder. As of now, he wasn't on the ladder at all. Like all the law students she had ever met (mostly as tenants; she had certainly never fucked any in what she now thought of as her 'other life'), he was composed chiefly of high aspirations and low funds, both of them floating on a generous cushion of bullshit. Dodie did not, as a rule, confuse any of these elements. Failing for a law student's line of bull was, in her mind, as bad as turning a trick for free. Once you started in with behavior like that, you might as well hang up your jock.
Figuratively speaking, of course.
Yet Frederick 'Mr Bigshot' Clawson had partially breached her defenses. He had been late with the rent four times in a row and she had allowed this because he had convinced her that in his case the tired old scripture was really the truth (or might come to be): he did have money coming in.
He could not have done this to her if he had claimed Sidney Sheldon was really Robert Ludlum, or Victoria Holt was really Rosemary Rogers, because she didn't give a shit about those people or their — billions of write-alikes. She was into crime novels, and if they were real gutbucket crime novels, so much the better. She supposed there were plenty of people out there who went for the romantic slop and the spy shit, if the Post Sunday best-seller list was any indication, but she had been reading Elmore Leonard for years before he hit the lists, and she had also formed strong attachments for Jim Thompson, David Goodis, Horace McCoy, Charles Willeford, and the rest of those guys. If you wanted it short and sweet, Dodie Eberhart liked novels where men robbed banks, shot each other, and demonstrated how much they loved their women mostly by beating the shit out of them.
George Stark, in her opinion, was — or had been — the best of them. She had been a dedicated fan from Machine's Way and Oxford Blues right up to Riding to Babylon, which looked to be the last of them.
The bigshot in the third-floor apartment had been surrounded by notes and Stark novels the first time she came to dun him about the rent (only three days overdue that time, but of course if you gave them an inch they took a mile), and after she had taken care of her business and he had promised to deliver a check to her by noon the following day, she asked him if the collected works of George Stark were now required reading for a career before the bar.
'No,' Clawson had said with a bright, cheerful, and utterly predatory smile, 'but they might just finance one.'
It was the smile more than anything else which had hooked her and caused her to pay out line in his case where she had snubbed it brutally tight in all others. She had seen that smile many times before in her own mirror. She had believed then that such a smile could not be faked, and, just for the record, she still believed it. Clawson really had had the goods on Thaddeus Beaumont; his mistake had been believing so confidently that Beaumont would go along with the plans of a Mr Bigshot like Frederick Clawson. And it had been her mistake, too.
She had read one of the two Beaumont novels — Purple Haze — following Clawson's explanation of what he had discovered, and thought it an exquisitely stupid book. In spite of the correspondence and photocopies Mr Bigshot had shown her, she would have found it difficult or impossible to believe both writers were the same man. Except . . . about three-quarters of the way through it, at a point where she had been about ready to throw the boring piece of shit across the room and forget the whole thing, there was a scene in which a farmer shot a horse. The horse had two broken legs and needed to be shot, but the thing was, old Farmer John had enjoyed it. Had, in fact, put the barrel of the gun against the horse's head and then jerked