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The Dark Half - Stephen King [68]

By Root 518 0
— only on second thought, make that probably. What had she said? Don't let him cut me again, don't let the bad man cut me again. And on paper it had said cuts. And . . . hadn't it also said terminate?

Yes. Yes, it had, But that had to do with the dream, didn't it? That had to do with Endsville, the place where all rail service terminates . . . didn't it?

He prayed that it did.

He had to get her help, or at least had to try, and he had to warn Rick. But if he just called Rick, called him out of a clear blue sky and told him to be on his guard, Rick would want to know why.

What's wrong, Thad? What's happened?

And if he so much as mentioned Miriam's name Rick would be up and off like a shot to her place, because Rick still cared for her. He still cared a hell of a lot. And then he would be the one to find her . . . maybe in pieces (part of Thad's mind tried to shy away from that thought, that image, but the rest of his mind was relentless, forcing him to see what pretty Miriam would look like, chopped up like meat on a butcher's counter).

And maybe that was just what Stark was counting on. Stupid Thad, sending Rick into a trap. Stupid Thad, doing his job for him.

But haven't I been doing his job for him all along? Isn't that what the pen name was all about, for Christ's sake?

He could feel his mind jamming up again, softly closing itself into a knot like a charley horse, into a cluster fuck, and he couldn't afford that, just now he couldn't afford that at all.

'Thad. . . please! Tell me what's going on!'

He took a deep breath and grasped her cold arms in his cold hands.

'It was the same man who killed Homer Gamache and Clawson. He was with Miriam. He was . . . threatening her. I hope that's all he was doing. I don't know. She screamed. The line went dead.'

'Oh, Thad! Jesus!'

'There's no time for either of us to have hysterics,' he said, and thought, Although God knows part of me wants to. 'Go upstairs. Get your address book. I don't have Miriam's phone number and address in mine. I think you do.'

'What did you mean, you knew it almost from the first?'

'There's no time for that now, Liz. Get your address book. Get it quick. Okay?'

She hesitated a moment longer.

'She may be hurt! Go!'

She turned and ran from the room. He heard the quick, light pad of her feet going upstairs and tried to get his thoughts working again.

Don't call Rick. If it is a trap, calling Rick would be a very bad idea. Okay — we've gotten that far. It's not much, but it's a start. Who, then?

The New York City Police Department? No — they would be full of time-consuming questions — how come a fellow in Maine was reporting a crime in New York, for starters. Not the N.Y.P.D. Another very bad idea.

Pangborn.

His mind seized on the idea. He would call Pangborn first. He would have to be careful what he said, at least for now. What he might or might not decide to say later on — about the blackouts, about the sound of the sparrows, about Stark — could take care of itself. For now, Miriam was the important thing. If Miriam was hurt but still alive, it wouldn't do to inject any elements into the situation which might slow Pangborn down. He was the one who'd have to call the New York cops. They would act faster and ask fewer questions if word came from one of their own, even if this particular brother cop happened to be up in Maine.

But Miriam first. Pray God she answered the phone.

Liz came flying back into the room with her address book. Her face was almost as pale as it had been after she had finally succeeded in squeezing William and Wendy into the world. 'Here it is,' she said. She was breathing fast, nearly panting.

This is going to be all right, he thought to say to her, but held it back. He didn't want to say anything which could so easily turn out to be a lie . . . and the sound of Miriam's scream suggested things had gone. well past the all-right stage. That for Miriam, at least, things might never return to the all-right stage.

There's a man here, there's a bad man here.

Thad thought

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