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The Dark Half - Stephen King [7]

By Root 461 0
or possibly in the john if there wasn't a good book handy. Thad had mused from time to time on the magazine's success, wondering if it was its devotion to the celebrity sideshow that made it so weirdly interesting, or just the way it was set up, with all those big black-and-white photographs and the boldface text, consisting mostly of simple declarative sentences. But it had never crossed his mind to wonder if the pictures were staged.

The photographer had been a woman named Phyllis Myers. She informed Thad and Liz that she had taken a number of photographs of teddy bears in child-sized coffins, all of the teddies dressed in children's clothes. She hoped to sell these as a book to a major New York publisher. It was not until late on the second day of the photo-and-interview session that Thad realized the woman was sounding him out about writing the text. Death and Teddy Bears, she said, would be 'the final, perfect comment on the American way of death, don't you think so, Thad?'

He supposed that, in light of her rather macabre interests, it wasn't all that surprising that the Myers woman had commissioned George Stark's tombstone and brought it with her from New York. It was papier-mâché.

'You don't mind shaking hands in front of this, do you?' she had asked them with a smile that was at the same time wheedling and complacent. 'It'll make a wonderful shot.'

Liz had looked at Thad, questioning and a little horrified. Then they both had looked at the fake tombstone which had come from New York City (year-round home of People magazine) to Castle Rock, Maine (summer home of Thad and Liz Beaumont), with a mixture of amazement and bemused wonder. It was the inscription to which Thad's eye kept returning:

Not a Very Nice Guy

Stripped to its essentials, the story People wanted to tell the breathless celebrity-watchers of America was pretty simple. Thad Beaumont was a well-regarded writer whose first novel, The Sudden Dancers, had been nominated for the National Book Award in 1972. This sort of thing swung some weight with literary critics, but the breathless celebrity—watchers of America didn't care a dime about Thad Beaumont, who had only published one other novel under his own name since. The man many of them did care about wasn't a real man at all. Thad had written one huge best-seller and three extremely successful follow-up novels under another name. The name, o course, was George Stark.

Jerry Harkavay, who was the Associated Press's entire Waterville staff, had been the first to break the George Stark story wide after Thad's agent, Rick Cowley, gave it to Louise Booker at Publishers Weekly with Thad's approval. Neither Harkavay nor Booker had got the whole story — for one thing, Thad was adamant about not giving that smarmy little prick Frederick Clawson so much as a mention — but it was still good enough to rate a wider circulation it than either the AP wire service or the book—publishing industry's trade magazine could give. Clawson, Thad had told Liz and Rick, was not the story — he was just the asshole who was forcing them to go public with the story.

In the course of that first interview, Jerry had asked him what sort of a fellow George Stark was. 'George,' Thad had replied, 'wasn't a very nice guy.' The quote had run at the top of Jerry's piece, and it had given the Myers woman the inspiration to actually commission a fake tombstone with that line on it. Weird world. Weird, weird world.

All of a sudden, Thad burst out laughing again.

2

There were two lines of white type on the black field below the picture of Thad and Liz in one of Castle Rock's finer boneyards.

THE DEAR DEPARTED WAS EXTREMELY CLOSE TO THESE TWO PEOPLE, read the first.

SO WHY ARE THEY LAUGHING? read the second.

'Because the world is one strange fucking place,' Thad Beaumont said, and snorted into one cupped hand.

Liz Beaumont wasn't the only one who felt vaguely uneasy about this odd little burst of publicity. He felt a little uneasy himself. All the same, he found it difficult to stop laughing. He'd

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