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The Dark Half - Stephen King [73]

By Root 646 0
reading, and we might be, a little, but what we'd really be doing is savoring the silence as if it were some particularly fine wine, the way only parents of very young children can savor it, because they have so little of it), and further suppose that while we were doing that, a meteorite crashed through the roof and landed, smoking and glowing, on the livingroom floor. Would one of us go into the kitchen and fill up the floor-bucket with water, douse it before it could light up the carpet, and then just go on reading? No — we'd talk about it. We'd have to. The way we have to talk about this.

Perhaps they would begin after Alan called back. Perhaps they would even talk through him, Liz listening carefully as Alan asked questions and Thad answered them. Yes — that might be how their own talking would start' Because it seemed to Thad that Alan was the catalyst. In a weird way it seemed to Thad that Alan was the one who had gotten this thing started, even though the sheriff had only been responding to what Stark had already done.

In the meantime, they sat and waited.

He felt an urge to try Miriam's number again, but didn't dare Alan might pick that very moment to call back, and would find the Beaumont number busy. He found himself again wishing, in an aimless sort of way, that they had a second line. Well, he thought, wish in one hand, spit in the other.

Reason and rationality told him that Stark could not be out there, ramming around like some weird cancer in human form, killing people. As the country rube in Oliver Goldsmith's She Stoops to Conquer was wont to say, it was perfectly unpossible, Diggory.

He was, though. Thad knew he was, and Liz knew it, too. He wondered if Alan would also know when he told him. You'd think not; you'd expect the man would simply send for those fine young men in their clean white coats. Because George Stark was not real, and neither was Alexis Machine, that fiction within a fiction. Neither of them had ever existed, any more than George Eliot had ever existed, or Mark Twain, or Lewis Carroll, or Tucker Coe, or Edgar Box. Pseudonyms were only a higher form of fictional character.

Yet Thad found it difficult to believe Alan Pangborn would not believe, even if he did not want to at first. Thad himself did not want to, yet found himself helpless to do anything else. It was, if you could pardon the expression, inexorably plausible.

'Why doesn't he call?' Liz asked restlessly.

'It's only been five minutes, babe.'

'Closer to ten.'

He resisted an urge to snap at her — this wasn't the Bonus Round in a TV game-show, Alan would not be awarded extra points and valuable prizes for calling back before nine o'clock.

There was no Stark, part of his mind continued to insist upon insisting. The voice was rational but oddly powerless, seeming to repeat this screed not out of any real conviction but only by rote, like a parrot trained to say Pretty boy! or Polly wants a cracker! Yet it was true, wasn't it? Was he supposed to believe Stark had come BACK FROM THE GRAVE, like a monster in a horror movie? That would be a neat trick, since the man — or un—man — had never been buried, his marker only a papier-mâché headstone set up on the surface of an empty cemetery plot, as fictional as the rest of him —

Anyhow, that brings me to the last point . . . or aspect . . . or whatever the hell you want to call it . . . What's your shoe-size, Mr Beaumont?

Thad had been slouched in his chair, crazily close to dozing in spite of everything. Now he sat up so suddenly he almost spilled his tea. Footprints. Pangborn had said something about —

What footprints are these?

Doesn't matter. We don't even have photos. We've got almost everything on the table . . .

'Thad? What is it?' Liz asked.

What footprints? Where? In Castle Rock, of course, or Alan wouldn't have known about them. Had they perhaps been in Homeland Cemetery, where the neurasthenic lady photographer had shot the picture he and Liz had found so amusing?

'Not a very nice guy,' he muttered.

'Thad?'

Then the

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