The Dark Tower - Stephen King [234]
“It’s not a hearse,” she said. “It’s a limousine. A car for special people…or people who think they’re special.” Then, to the driver: “While we’re riding, can you have someone in your office check some airline info for me?”
“Of course, madam. May I ask your carrier of choice and your destination?”
“My destination’s Portland, Maine. My carrier of choice is Rubberband Airlines, if they’re going there this afternoon.”
The limousine’s windows were smoked glass, the interior dim and ringed with colored lights. Oy jumped up on one of the seats and watched with interest as the city rolled past. Roland was mildly amazed to see that there was a completely stocked liquor-bar on one side of the long passenger compartment. He thought of having a beer and decided that even such a mild drink would be enough to dim his own lights. Irene had no such worries. She poured herself what looked like whiskey from a small bottle and then held the glass toward him.
“May your road wind ever upward and the wind be ever at your back, me foine bucko,” she said.
Roland nodded. “A good toast. Thankee-sai.”
“These have been the most amazing three days of my life. I want to thankee-sai you. For choosing me.” Also for laying me, she thought but did not add. She and Dave still enjoyed the occasional snuggle, but not like that of the previous night. It had never been like that. And if Roland hadn’t been distracted? Very likely she would have blown her silly self up, like a Black Cat firecracker.
Roland nodded and watched the streets of the city—a version of Lud, but still young and vital—go by. “What about your car?” he asked.
“If we want it before we come back to New York, we’ll have someone drive it up to Maine. Probably David’s Beemer will do us. It’s one of the advantages of being wealthy—why are you looking at me that way?”
“You have a cartomobile called a Beamer?”
“It’s slang,” she said. “It’s actually BMW. Stands for Bavarian Motor Works.”
“Ah.” Roland tried to look as if he understood.
“Roland, may I ask you a question?”
He twirled his hand for her to go ahead.
“When we saved the writer, did we also save the world? We did, somehow, didn’t we?”
“Yes,” he said.
“How does it happen that a writer who’s not even very good—and I can say that, I’ve read four or five of his books—gets to be in charge of the world’s destiny? Or of the entire universe’s?”
“If he’s not very good, why didn’t you stop at one?”
Mrs. Tassenbaum smiled. “Touché. He is readable, I’ll give him that—tells a good story, but has a tin ear for language. I answered your question, now answer mine. God knows there are writers who feel that the whole world hangs on what they say. Norman Mailer comes to mind, also Shirley Hazzard and John Updike. But apparently in this case the world really does. How did it happen?”
Roland shrugged. “He hears the right voices and sings the right songs. Which is to say, ka.”
It was Irene Tassenbaum’s turn to look as though she understood.
Fifteen
The limousine drew up in front of a building with a green awning out front. Another man in another well-cut suit was standing by the door. The steps leading up from the sidewalk were blocked with yellow tape. There were words printed on it which Roland couldn’t read.
“It says CRIME SCENE, DO NOT ENTER,” Mrs. Tassenbaum told him. “But it looks like it’s been there awhile. I think they usually take the tape down once they’re finished with their cameras and little brushes and things. You must have powerful friends.”
Roland was sure the tape had indeed been there awhile; three weeks, give or take. That was when Jake and Pere Callahan had entered the Dixie Pig, positive they were going to their deaths but pushing ahead anyway. He saw there was a little puddle of liquor left in Irene’s glass and swallowed it, grimacing at the hot taste of the alcohol but relishing the burn on the way down.
“Better?” she asked.
“Aye, thanks.” He reset the bag with the Orizas in it more firmly on his shoulder and got